{"id":60,"date":"2025-12-10T12:02:09","date_gmt":"2025-12-10T12:02:09","guid":{"rendered":"https:\/\/www.stefanogiovanazzi.eu\/barry\/"},"modified":"2025-12-11T13:01:05","modified_gmt":"2025-12-11T13:01:05","slug":"robert-barry","status":"publish","type":"page","link":"https:\/\/www.stefanogiovanazzi.eu\/en\/robert-barry\/","title":{"rendered":"Robert Barry"},"content":{"rendered":"\n
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ROBERT BARRY<\/h2>\n\n

16th centuryRobert Barry2.-28.9.74<\/p>\n\n

Rolf PreisigCH-4058 BaselWettsteinallee 6Telefon 061 49 04 95<\/p>\n\n

Mo-Fr 14-18 UhrSa 10-14 Uhr<\/p>\n\n

courtesy Stefano Giovanazzi<\/a>#archivioartecontemporanea<\/a>Archivio Arte Contemporanea Roveretocaa contemporary art archive roveretovia Vittorio Veneto 5, Rovereto (TN) Italia<\/p>\n\n

Uno tra 180.000 documenti. L’archivio accoglie quotidianamente nuovi documenti sull’arte e il pensiero contemporaneo. <\/p>\n\n

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Invitation sent from Basel at six o’clock in the afternoon on Friday, August 23, 1974, to the address of Konrad Fischer Platanenstrasse 7 D\u20134 D\u00fcsseldorf.<\/p>\n\n

The archive contains several documents and some rarities of Robert Barry: invitations and catalogues dating back to the early 1970s, and two original works.<\/p>\n\n

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Robert Barry (New York, March 9, 1936) is an American artist.<\/strong><\/p>\n\n

Robert Barry has participated in the most important conceptual art exhibitions since the 1960s. His works consist of installations and performances. In 1969, he organized an exhibition that involved closing the gallery for the duration of the show. In recent years, Barry has worked on works that use words as their main subject. In 1972, he participated in Documenta 5 <\/a>in Kassel. <\/p>\n\n

<\/p>\n\n

Training<\/strong><\/p>\n\n

B.F.A., M.A., Hunter College, The City University of New York<\/p>\n\n

Selected Exhibitions<\/strong><\/p>\n\n

2024<\/strong>Robert Barry. Sfeir-Semler Gallery, Amburgo, Germania <\/p>\n\n

2023<\/strong>Robert Barry. Krakow Witkin Gallery, Boston, Usa <\/p>\n\n

2022<\/strong>Robert Barry, Early works, Alfonso Artiaco, Napoli, Italia<\/p>\n\n

2019<\/strong>Robert Barry, Francesca Minini Gallery, Milano, ItaliaOne Wall, One Work: Robert Barry, Krakow Witkin Gallery, Boston, USARobert Barry: Paintings and Works on Paper from the 1960s, Marc Selwin Fine Art, Beverly Hills, USA<\/p>\n\n

2018<\/strong>Robert Barry. How Things Have Changed\u2026, Parra & Romaro Gallery, Madrid, SpagnaRobert Barry. Galleria Alfonso Artiaco, Napoli, ItaliaRobert Barry. Galleria Massimo Minini, Brescia, ItaliaRobert Barry. NOT PERSONAL: 1964-PRESENT, Gallery Shilla, Sud Corea <\/p>\n\n

2017<\/strong>Robert Barry. Cristina Guerra Contemporary Art, Lisbona, Portogallo <\/p>\n\n

2016<\/strong>Robert Barry. works from 1964 to 2016, Mary Boone Gallery, New York, USARobert Barry. Random, Galerie Untilthen, Saint Ouen, Francia <\/p>\n\n

2015<\/strong>Robert Barry. Galerie Greta Meert, Bruxelles, BelgioRobert Barry. Thomas Solomon Art Advisory, Bethlehem Baptist Church, Los Angeles, USA <\/p>\n\n

2014<\/strong>Robert Barry. Diptych, Window-Wallpiece, Montclair Art Museum, New Jersey, USARobert Barry. Incomplete, Galleria Alfonso Artiaco, Napoli, ItaliaRobert Barry. New Work Amburgo – First Floor, Galerie Sfeir Sempler, Amburgo, GermaniaRobert Barry. Barbara Krakow Gallery, Boston, MA USA <\/p>\n\n

2013<\/strong>Robert Barry. One Billion Colored Dots, Montclair Art Museum, New Jersey, USARobert Barry. Galerie Greta Meert, Bruxelles, Belgio <\/p>\n\n

2012<\/strong>Robert Barry – Light and Dark, The Projections of Robert Barry 1967 – 2012, Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Taking Your Time, Michelle Didier, Parigi, FranciaRobert Barry. Different Times Different Works, Galleria Massimo Minini, Brescia, ItaliaRobert Barry. SoundPieces, Jan Mot, Citt\u00e0 del Messico, Messico <\/p>\n\n

2011<\/strong>Robert Barry. Golden Words Giacomo Guidi e MG art, Roma, ItaliaRobert Barry. Troublesome, Galleria Alfonso Artiaco, Napoli, Italia <\/p>\n\n

2010<\/strong>Robert Barry. Words and Music, The Common Guild, Glasgow, Scotland, Gran BretagnaRobert Barry. Recent Works, Galerie Sfier Semler, Amburgo, Germania <\/p>\n\n

2009<\/strong>Robert Barry. Word Lists, Yvon Lambert, Parigi, FranciaRobert Barry. RB 62-08, Yvon Lambert, New York, USARobert Barry. Galerie Greta Meert, Bruxelles, Belgio <\/p>\n\n

2008<\/strong>Robert Barry. Ritter\/Zamet Gallery, Londra, Gran BretagnaRobert Barry. “It is, It isn’t” (live performance of sound piece) Jan Mot, Bruxelles, Belgio <\/p>\n\n

2007<\/strong>Robert Barry. Art and War, Klemens Gasser & Tanja Grunert, Inc, New York, USARobert Barry. New Multi-Part Colored Mirrorpieces, Galerie Greta Meert, Bruxelles, FranceRobert Barry. Artists Books, Showcase Alfred Vandaele, Gent, BelgioRobert Barry. Galleria Alfonso Artiaco, Napoli, Italia 2006<\/strong>Robert Barry. Galerie Steinek, Vienna, Austria (inaugural exhibition)Robert Barry. Some Times, Galerie Bugdahn und Kaimer, Dusseldorf, GermaniaRobert Barry. An Installation and a Video, Yvon Lambert, Le Studio, Parigi, FranciaRobert Barry. New and Old Works, Galerie Sfeir-Semler, Amburgo, Germania 2005<\/strong>Robert Barry. Galleria Massimo Minini, Brescia, ItaliaRobert Barry. 25 Paintings and a Video, Klemens Gasser & Tanja Grunert, Inc., New York, USARobert Barry. Installation, Yvon Lambert Project Room, Parigi, FranciaRobert Barry. and Jonathan Monk, Galerie Widmer, Zurigo, SvizzeraRobert Barry. and Sol LeWitt, Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Diptych, a Window\/ Wallpiece, Montclair Art Museum, Montclair, USA <\/p>\n\n

2004<\/strong> Robert Barry. Galerie Sfeir-Semler, Amburgo, GermaniaRobert Barry. Old drawings \u2013 New Videos, Galerie Meert Rihoux, Bruxelles, Belgio 2003<\/strong>Robert Barry. A Place To Which, Kunsthalle Norimberga, Norimberga, GermaniaRobert Barry. We Can Come, Works from 1963 to 1975″; travels to Aargauer Kunsthaus. Aarau, Svizzera, 2004 <\/p>\n\n

2002<\/strong>Robert Barry. Galerie Bugdahn und Kaimer, D\u00fcsseldorf, GermaniaRobert Barry. Galerie Yvon Lambert, Parigi, Francia 2001<\/strong>Robert Barry. Lenbachhaus, Monaco, GermaniaRobert Barry. Klemens Gasser & Tanja Grunert, Inc., New York, USARobert Barry. “Early Works, 1966 \u2013 1973”, McKinsey and Company, D\u00fcsseldorf, GermaniaRobert Barry. Expression, Galerie Sfeir-Semler, Amburgo, Germania <\/p>\n\n

2000<\/strong>Robert Barry. Reactions, Primo Piano, Roma, ItaliaRobert Barry. Four Yellow Pieces , Base: Progetti per L’Arte, Firenze, Italia 1999<\/strong>Robert Barry. “Robert Barry: Stay Away, Recent Installations, Holly Solomon Gallery, New York, USARobert Barry. Vous Etes Ici Editions, Amsterdam, Paesi BassiRobert Barry. Paintings 1988-1994; Windowpiece 1996″Galerie Bugdhan und Kaimer, D\u00fcsseldorf Robert Barry \u2013 It Can Be\u2026 Drei Robert Barry. Diaprojektionen, Neues Museum Weimar, Weimar, GermaniaRobert Barry. MonochRoma, Salle des Expositions Ecole Superieure Des Beaux-Arts De Nimes, Nimes, Francia <\/p>\n\n

1998<\/strong>Robert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. The Box, Torino, ItaliaRobert Barry. Galerie Sfeir-Semler, Amburgo, Germania <\/p>\n\n

1997<\/strong>Robert Barry. Indianapolis, Museum of Art, Indianapolis, Indiana, USARobert Barry. Galerie Meert Rihoux, Bruxelles, Belgio <\/p>\n\n

1996<\/strong>Robert Barry. Dum Umeni (House of Art) Brno, Repubblica CecaRobert Barry. Galerie H.S. Steinek, Vienna, Austria 1995<\/strong>Robert Barry and Heinz Gappmayr, ‘Kunstraum, ViennaRobert Barry. Galerie Meert Rihoux, Bruxelles, BelgioRobert Barry. Galerie Bugdhan und Kaimer, D\u00fcsseldorf, GermaniaRobert Barry. Galerie Klemens Gasser, K\u00f6ln, Germania <\/p>\n\n

1994<\/strong>Robert Barry and Haim Steinbach”Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Holly Solomon Gallery, New York, USARobert Barry. Art & Public, Ginevra, Svizzera <\/p>\n\n

1993<\/strong>Robert Barry. Galerie H.S. Steinek, Vienna, AustriaRobert Barry. Wasserman Galerie, Monaco, Germania <\/p>\n\n

1992<\/strong>Robert Barry. Galeria Ugo Ferranti, Roma, ItaliaRobert Barry. Galerie Bugdhan und Kaimer, Dusseldorf, GermaniaRobert Barry. Galerie Klemens Gasser, Bolzano, ItaliaRobert Barry. Art and Project \/ Van Krimpen, Rotterdam, Paesi Bassi 1991<\/strong>Robert Barry. Galeria 57, Madrid, SpagnaRobert Barry. Galerie Pierre Huber, Ginevra, SvizzeraRobert Barry. Wasserman Galerie, Cologne, GermaniaRobert Barry. Galerie Foskal, Varsavia, PoloniaRobert Barry. Galeria Ugo Ferranti, Roma, ItaliaRobert Barry. Le Consortium, Dijon, FranciaRobert Barry. Holly Solomon,Gallery, New York, USA <\/p>\n\n

1990<\/strong>Robert Barry. Rena Bransten Gallery, San Francisco, California, USARobert Barry. Haags Gemeentemuseum, The Hague, Paesi BassiRobert Barry. Holly Solomon Gallery, New York, USARobert Barry. Salama-Caro Gallery, Londra, Gran BretagnaRobert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Galerie Meert Rihoux, Bruxelles, Belgio <\/p>\n\n

1989<\/strong>Robert Barry. Holly Solomon Gallery, New York, USARobert Barry. Leo Castelli Gallery, New York, USARobert Barry. Julian Pretto Gallery, New York, USARobert Barry. Delfryd Celf Gallery, GallesRobert Barry. Thomas Solomon’s Garage, Los Angeles, California, USARobert Barry. Ugo Ferranti Gallery, Roma, ItaliaRobert Barry. Centre National d’Art Contemporain, Grenoble, FranciaRobert Barry. Musee St. Pierre, Art Contemporain, Lione, FranciaRobert Barry. Roy Boyd Gallery, Los Angeles, California, USA <\/p>\n\n

1988<\/strong>Robert Barry. Delfryd Celf Gallery, Galles, Gran BretagnaRobert Barry. Wasserman Edition E Gallery, Monaco, GermaniaRobert Barry. Galeria Meert-Rihoux, Bruxelles, BelgioRobert Barry. Paul Maenz Gallery, Cologne, GermaniaRobert Barry. Yvon Lambert Gallery, Parigi, Francia 1987<\/strong>Robert Barry. Paul Maenz Gallery, Cologne, GermaniaRobert Barry. Galeria Primo Piano, Roma, ItaliaRobert Barry. Julian Pretto Gallery, New York, USARobert Barry. Defryd Celf Gallery, Galles, Gran BretagnaRobert Barry. Gallerie Ghislain Mollet-Vieville, Parigi, FranciaRobert Barry & Lawrence Weiner, Christian Stein Gallery, Torino, Italia 1986<\/strong>Robert Barry. Closed Gallery” and “Marcuse Piece, Delfryd Celf Gallery, Lloyds Bank, Galles, Gran BretagnaRobert Barry and Peter Downsbrough, Le Consortium, Dijon, Francia <\/p>\n\n

1985<\/strong>Robert Barry. The Renaissance Society, University of Chicago, Chicago, Illinois, USA <\/p>\n\n

1984<\/strong>Robert Barry. Wallpiece, Galerie Yvon Lambert, Parigi, FranciaRobert Barry. David Bellman Gallery, Toronto, Ontario, Canada 1983<\/strong>Robert Barry. Leo Castelli Gallery, New York, USARobert Barry. Art & Project, Amsterdam, Paesi BassiRobert Barry. Galerie Francoise Lambert, Milano, ItaliaRobert Barry. Galeria Locus Solus, Genoa, ItaliaRobert Barry. Galerie L’Hermitte, Coutances, Francia <\/p>\n\n

1982<\/strong>Robert Barry. “Robert Barry: Grafik und Installationen”Ulmer Museum, GermaniaRobert Barry. Museum Folkwang Essen, GermaniaRobert Barry. Museum of Conceptual Art, San Francisco, California <\/p>\n\n

1981<\/strong>Robert Barry. Galerie, Yvon Lambert, Parigi, FranciaRobert Barry. “All the Time”, Leo Castelli Gallery, New York, (in collaboration with Carole Gallagher)Robert Barry. Art and Project, Amsterdam, Paesi BassiRobert Barry. Centre d’Arts Plastique Contemporains de Bordeaux, Bordeaux, Francia <\/p>\n\n

1980<\/strong>Robert Barry. Joslyn Art Museum, Omaha, Nebraska, USARobert Barry Color Drawings, Galerie Paul Maenz, CologneRobert Barry. Wallpiece, Leo Castelli, Gallery, New York, USARobert Barry. Banco\/Massimo Minini. Brescia, ItaliaRobert Barry. Fetes musicales De La Saint-Baume, Saint-Baume, Francia <\/p>\n\n

1979<\/strong>Robert Barry. Galerie Paul Maenz, Cologne, GermaniaRobert Barry: new Drawings, Galerie Francoise Lambert, Milano, ItaliaRobert Barry. Galerie Rolf Preisig, Basel, SvizzeraRobert Barry. Again & Again, Leo Castelli Gallery, New York, USA <\/p>\n\n

1978<\/strong>Robert Barry. A Wall Drawing, Leo Castelli Gallery, New York, USARobert Barry. Galerie MTL, Bruxelles, BelgioRobert Barry. Museum of Conceptual Art, San Francisco, California, USARobert Barry. Folkwangmuseum Essen, GermaniaRobert Barry. Fine Arts Gallery, University of Colorado Museum, Boulder, USA“Robert Barry: Prints, Drawings & Publications 1968 \u2013 1978” <\/p>\n\n

1977<\/strong>Robert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Almost, Paul Maenz, Cologne, GermaniaRobert Barry. Endless Celebrations, Robert Self Ltd., Londra, Gran BretagnaRobert Barry. Stedelijk van Abbemuseum. Eindhoven, Paesi Bassi, travels to Folkwangmuseum, Essen, GermaniaRobert Barry. Unless, Rudiger Sch\u00f6ttle, Monaco, Germania <\/p>\n\n

1976<\/strong>Robert Barry. Leo Castelli Gallery, New York, USARobert Barry. Rolf Preisig, Basel, SvizzeraRobert Barry. Galleria Gian Enzo Sperone, Roma, ItaliaRobert Barry. Galerie Paul Maenz, Cologne, GermaniaRobert Barry. “Portrait, Part I” Julian Pretto Gallery, New York, USARobert Barry. “Portrait, Part II” P.S.1, Long Island City, New York, USA 1975<\/strong>Robert Barry. Gian Enzo Sperone Gallery, New York, USARobert Barry. Galerie Paul Maenz, Cologne, GermaniaRobert Barry. Cusack Gallery, Houston, Texas, USA <\/p>\n\n

1974<\/strong>Robert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Leo Castelli Gallery, New York, USARobert Barry. Jack Wendler Gallery, Londra, Gran BretagnaRobert Barry. Galerie Paul Maenz, Cologne, GermaniaRobert Barry. Galerie MTL, Bruxelles, BelgioRobert Barry. Art and Project, Amsterdam, Paesi BassiRobert Barry. Kustmuseum Luzern, SvizzeraRobert Barry. Galerie Rolf Preisig, Basel, SvizzeraRobert Barry. Galeria Gian Enzo Sperone, Torino, ItaliaRobert Barry. Stedelijk Museum, Amsterdam, Paesi BassiRobert Barry. Rhode Islands School of Design, Providence, Rhode Island 1973<\/strong>Robert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Galleria Sperone, Torino, ItaliaRobert Barry. Galleria Toselli, Milano, ItaliaRobert Barry. Paul Maenz, Cologne, GermaniaRobert Barry. Gian Enzo Sperone & Konrad Fischer, Roma, ItaliaRobert Barry. Jack Wendler Gallery, Londra, Gran BretagnaRobert Barry. Galeria Foksal, Varsavia, PoloniaRobert Barry. Im Kabinett fuer Aktuelle Kunst, Bremerhaven, Germania <\/p>\n\n

1972<\/strong>Robert Barry. Leo Castelli Gallery, New York, USARobert Barry. Galerie MTL, Bruxelles, BelgioRobert Barry. Jack Wendler Gallery, Londra, Gran BretagnaRobert Barry. Galerie Toselli, Milano, ItaliaRobert Barry. Art & Project, Amsterdam, Paesi BassiRobert Barry. Tate Gallery, Londra, Gran Bretagna <\/p>\n\n

1971<\/strong>Robert Barry. Art & Project, Amsterdam, Paesi BassiRobert Barry. Galerie Yvon Lambert, Parigi, FranciaRobert Barry. Galerie Paul Maenz, Cologne, GermaniaRobert Barry. Leo Castelli Gallery, New YorkRobert Barry. Eugenia Butler Gallery, Los Angeles, California <\/p>\n\n

1970<\/strong> Robert Barry. Eugenia Butler Gallery, Los Angeles, CaliforniaRobert Barry. Galleria Sperone, Torino, Italia <\/p>\n\n

1969<\/strong>Robert Barry. Seth Siegelaub, Los Angeles, California, USARobert Barry. Art & Project, Amsterdam, Paesi BassiRobert Barry. Galleria Sperone, Torino, Italia 1965<\/strong> Westerly Gallery, New York, USA <\/p>\n\n

Selezione Mostre Collettive<\/strong><\/p>\n\n

2019<\/strong>Ekphrasis, Boghossian Foundation, Bruxelles, BelgioModern and Contemporary Masterpieces from a Private Collection, Unthilton Gallery, Parigi, FranciaRobert Barry Ivan Ko?ari, Sfeir-Semler Gallery, Hamburg, GermanySo wie wir sind 1.0, Weserburg, Museum f\u00fcr moderne Kunst, Bremen, GermaniaContrast, QC Gallery, Brussels, BelgioDes mots et des choses, FRAC Bretagne, Ch\u00e2teaugiron, Francia<\/p>\n\n

2018<\/strong>Art Unlimited, Art Basel 2018, Basel, Svizzera2017<\/strong>The Transported Man, Eli and Edythe Broad Art Museum, East Lansing,Michigan, USA14th Biennale de Lione, Floating Worlds, curated by Emma Lavigne, Lione, FranciaDuet with Artist, Participation as Artistic Principle, a cooperation between the 21er Haus and the Morsbroich Museum in Leverkusen, GermaniaParapolitics: Cultural Freedom and the Cold War, Haus der Kulturen der Welt (HKW), Berlino, GermaniaLiving with gods. Peoples, places and worlds beyond, British Museum, Londra, Gran Bretagna <\/p>\n\n

2016<\/strong>Toda Percepcion es una Interpretacion: YOU ARE PART OF IT, Cisneros, SpagnaFontanals Art Foundation, Miami, Florida, USADevelopment, Okayama Art Summit 2016, GiapponeLEXICON, Gagosian Gallery, Parigi, FranciaBlock Parts, Barbara Krakow Gallery, Boston, USA30th Anniversary, Galleria Alfonso Artiaco, Napoli, Italia<\/p>\n\n

2014<\/strong>There Will Never Be Silence: Scoring John Cage\u2019s 4\u201933 \u00bb, MOMA Museum,New York, USAPseudonym Project Parigi by Gabriel JonesPrint Party La R\u00e9v\u00e9lation, Parigi, Francia<\/p>\n\n

2013<\/strong>It is, Fondation Pinault, Punta della dogana, Venezia, ItaliaWhen attitudes become form, Fondation Prada, Venezia, ItaliaA Stone Left Unturned, Yvon Lambert, Parigi, FranciaSol LeWitt. Wall Drawings from 1968 to 2007, Centre Pompidou Metz, Metz, FranciaAmazing! Clever! Linguistic! An Adventure in Conceptual Art \u2026, Generali Foundation, Vienna, AustriaEverything and Nothing, Marc Straus Gallery, New York, USA <\/p>\n\n

2012<\/strong>Untitled (Giotto\u2019s O), Sperone Westwater, Lugano, SvizzeraEnds of the Earth: Land art to 1974, MOCA, Los Angeles, USA, Haus Der Kunst, Monaco, GermaniaLight Years: Conceptual Art and the Photograph, 1964 \u2013 1977, The Art Institute of Chicago, USAMaterializing Six years \u2013 Lucy Lippard and the Emergence of Conceptual Art, Brooklyn Museum, New York, USAArtlantic Wonder, Atlantic City, New Jersey, USAMarble Sculpture from 350 BC to last week, Sperone Westwater, New York, USTemporary Landmarks of Moving Situations \u2013 In\/Situ, Expo Chicago, Navy Pier, Chicago, USInvisible : Art about the Unseen, 1957 \u2013 2012, Hayward Gallery, Londra, Gran BretagnaArchitectural Dispositions, Thomas Solomon Gallery, Los Angeles, US<\/p>\n\n

2011<\/strong>Lectura de una realidad, Robert Barry, Stefan Bruggemann, David Lamelas, Galeria Parra Romaro, Madrid, SpagnaEncounters, Galerie Bugdahn un Kaimer, D\u00fcsseldorf, GermaniaL\u2019insoutenable l\u00e9g\u00e8ret\u00e9 de l\u2019\u00eatre, Galerie Yvon Lambert, Parigi, FranciaLe Papier \u00e0 l\u2019Oeuvre, The Louvre, Parigi, FranciaNicole Klagsbrun Gallery, New York, USAStudies for an Exhibition, The David Roberts Art Foundation Fitzrovia, Londra, Gran BretagnaMaking Histories: Changing Views of the Collection, Stichting Stedelijk Museum Amsterdam, NLBillarant Collection, Le Silo, Marines, FranciaPlay Time, Yvon Lambert, New York, FranciaAn Exhibition to Hear Read, curated by Mathieu Copeland, The David Roberts Foundation, Londra, Gran BretagnaArt=Text=Art: Works by Contemporary Artists, University of Richmond Museum, Virgina, USA20th anniversary exhibition, Museum fur Moderne Kunst Frankfurt am Main, GermaniaA Place To Which We Can Come, curated by Serra Sabuncuoslu, Convent of Saint Cecilia, Brooklyn, New York, USA<\/p>\n\n

2010<\/strong>Robert Barry, Artist talk, The Glasgow School of Art, Glasgow, Gran Bretagna“Less Is More, Pictures, Objects, Concepts From The Collection And Archive of Herman and Nicole Daled”, 1966 1978, Haus der Kunst, Monaco“Portrait”, Thomas Solomon Gallery, Los AngelesNothing is Forever, South Londra Gallery, Londra, Gran BretagnaThe Moon is an Arrant Thief, The David Roberts Art Foundation, Londra, Gran BretagnaMinimum Maximum, Galerie Zak \/ Branicka, Berlino, DEEdition-Multiples-Prints, Bugdahn und Kaimer Gallery, D\u00fcsseldorf, DEJust Love Me, MUDAM, Luxembourg, LUThe Original Copy: Photography and Sculpture. 1839 to Today, MoMA New York, US and Kunsthaus Zurigo, CHThe Pseudonym Project, The Invisible Dog Center, Brooklyn, New York, USLes Choses Dont Nous Ne Savons Rien Encore, Point Eph\u00e9m\u00e8re, Parigi, FranceSound of Music, Broelmuseum, Courtrai, BETravels to Marres, Center for Contemporary Culture in Maastricht, Espace 36 in St. Omer, NLText Works, Norma Desmond Production, Los Angeles, USRomantic Conceptualism, Kunsthalle Nuernberg, DE, travels to Bawag Foundation, Vienna, AT <\/p>\n\n

2009<\/strong>In and Out of Amsterdam: Art and Project Bulletin, 1986-1989,” MoMA, NYPhotography Is Not Art: The Sylvio Perlstein Collection,” Museo Communal d’Iuxelles, Bruxelles and Musee d’Art Modern et Contemporain, Strasbourg 2008<\/strong>Jan Mot Gallery, Bruxelles, “Oral Culture”, “It is, It isn’t” (live performance)KW Institute for Contemporary Art, Berlino, “\u20265 Minutes Later” 2007<\/strong>Bjorn Ressle Gallery, New York, “1” (dedicated to Sol LeWitt)Museum of Contemporary Art, Los Angeles, “Equinox: Permanent Collection Works from the 1960s and 1970s”Museum Dhondt-Dhaenens, Deurle, Belgio, “Collection Dr. R. & H. Matthys \u2013 Colle”BSI Art Collection, BSI Infabanque, Parigi “Ils sont peintres\/They are painters”MART, Trento, Italia, “La parola nell’arte. Richerche d’avangardia nel 900. Dal futurismo ad oggi”,Museum of Modern Art, New York, “Lines, Grids, Stains, Words”Tate Modern, Londra, “Learn to Read”Centre National des Arts Plastiques, Parigi -La D\u00e9fense, “D\u00e9but de Si\u00e9le”Mus\u00e9e des Beaux-Arts, Tourcoing, Francia, “Deja-Vu: From the collection of Frac Nord-Pas de Calais” Curated by Hans-Peter FeldmannMus\u00e9e des Arts Contemporains, Hornu, Belgio, “Des Fant\u00f4mes et des Anges: Extraits des Collections du Mus\u00e9e d’Art Moderne Lille M\u00e9tropole”Swiss Institute\/ Contemporary Art, New York, “Performa 07: A Spoken Word Exhibition”, Curated by Mathieu CopelandChez Dominique Perrault Architecture, Parigi, “Des Oeuvres de la Collection Billarant”Kadist Art Foundation, Parigi, “Some Time Waiting”Generali Foundation, Vienna, “Sammlung”Broelmuseum, Courtrai, Francia, “Sound of Music”, travels to Marres, center for contemporary culture inMaastricht, Paesi Bassi and to Espace 36 in St. Omer, Francia Norma Desmond Production, Los Angeles, “Text Works”Kunsthalle Nuernberg, “Romantic Conceptualism”, travels to Bawag Foundation, ViennaKlemens Gasser & Tanja Grunert, Inc., New York, “small is beautiful”<\/p>\n\n

2006<\/strong> Pan Palazzo delle Arti Napoli, Napoli,”Dedica 1986-2006, 20 Anni della Galleria Alfonso Artiaco”The National Gallery of Canada, Ottawa, “Art Metropole: The Top 100”Sfeir-Semler Gallery, Beruit, “Hadith”La Masion Rouge, Parigi, ” Busy Going Crazy, Collection Sylvio Perlstein”Deborah Colton Gallery, Houston, “WORD”Generali Foundation, Vienna, “\u2026Concept Has Never Meant Horse.”Kunsthaus Graz, “Inventory, Works from the Herbert Collection”Winterthur Kunstmuseum, Svizzera, “Plane\/Figure: American Art from Swiss Collections”Solo Projects, Los Angeles, “1968”Klemens Gasser & Tanja Grunert, Inc., New York, “New Work”Albion Gallery, Londra, “Sol LeWitt, Robert Barry, Daniel Buren, Wall Drawings”Centre National d’Art et de Culture Georges Pompidou, Parigi, ” Le Movement des Images, Art, Cin\u00e9ma”Museu d’Art Contemporani de Barcelona, “Public Space\/ Two Audiences, Works and Documents from the Herbert Collection”Yvon Lambert, Parigi, “Message Personnel”Paula Cooper Gallery, New York, “On Ongoing Low-Grade Mystery” curated by Robert Nickas Kunsthaus Graz, Austria,”Public Space\/ Two Audiences, Works and Documents from the Herbert Collection” 2005<\/strong>Kunstlerhaus Bremen, “Not a Drop but a Fall”Vous Etes Ici, Amsterdam, “What Would a World Without Paper be Like?”Palacio de S\u00e1stago, Zaragoza, “Colecci\u00f3n Alfonso Artiaco, Out of Sight, Out of Mind”Le Mus\u00e9e cantonal des Beaux-Arts de Lausanne, Lausanne, “Private View 1980-2000, Collection Pierre Huber”Museum Moderner Kunst Stiftung Ludwig, Vienna, “Collection Sigrid and Franz Wojda International Minimalist, Conceptual, and AnalyticPainting, 1960 to the Present”Sfeir-Semler Gallery, Beruit, “Rainbow”Vous Etes Ici, Amsterdam, “Editions 1998 \u2013 2005”Jan Moet, Bruxelles, “Today is Just a Copy of Yesterday”La Maison Rouge, Parigi, “Central Station, Collection Harald Falckenberg”Museum F\u00fcr Moderne Kunst Frankfurt am Main, Frankfurt, Germania, “What’s New Pussycat?”Baltimore Museum of Art, “Slide Show”, travels to Contemporary Arts Center Cincinnati and in 2006 The Brooklyn Museum of Art, New YorkLe Consertium, Dijon, Francia, “Before the End (The Last Painting Show)”, traveled to the Swiss Institute – Contemporary Art, New YorkMuseum Van Hedendaagse Kunst Antwerpen, Antwerp, Belgio, “Not Done! The Artist’s Book”,Arcadia University Art Gallery, Spruance Art Center, Glenside, PA,“Open”, (“The Big Nothing”)Hallen F\u00fcr Kunst Freiburg, Freiburg, Germania , “Kunst \u2013 Licht”Erna Hecey Gallery, Bruxelles , Belgio, “Strange, Familiar, and Unforgotten”Jan Mot Galerie, Bruxelles, Belgio, “Today is Just a Copy of Yesterday”<\/p>\n\n

2004<\/strong>“Art Unlimited”, Basel Art Fair, Basel, Svizzera“From a Collection \u2013 For a Collection”, Galerie Bugdhan und Kaimer, D\u00fcsseldorf, GermaniaYvon Lambert, New York, ” Minimal Artists Try to Make Something Look Like Nothing and Conceptual Artists Try Make Nothing Look Like Something, or Is It the Other Way Around?” Curated by Jonathan MonkMuseum of Contemporary Art, Los Angeles, “Sign Language”Klemens Gasser & Tanja Grunert, Inc., New York, “Robert Barry, Benjamin Cottam, Thomas Locher, Olivier Mosset”Los Angeles County Museum of Art, “Beyond Geometry Experiment in Form, 1940’s to 1970’s”,The Museum of Contemporary Art, Los Angeles, “A Minimal Future? Art as Object 1958-1968,”Musee d’Art Modern et d’Art Contemporain, Nice, Francia, “Intra Muros,” Massimo Minini Gallery, Brescia, Italia, “Don’t Expect Anything,”Lapland, Finland, “The Snow Show”, 2003<\/strong> Baltimore Museum of Art, “Work Ethic,”Norton Museum of Art, West Palm Beach, “Minimal to the Max \u2013 The Brownstone Collection”;Bologna Museum of Modern Art, Bologna, Italia, “Text-Works: Selections from the collection of Museion: Museo d’Arte Moderna e Contemporanea, Bolzano”Museum Morsbroich Leverkusen, Leverkusen, Germania “Talking Pieces”Chelsea Art Museum, New York, “Samadhi: The Contemplation of Space”Bibliotheque Nationale de Francia, Parigi, Francia, “Livres, Imprim\u00e9s, et Maquettes, Les \u00c9ditions Incertain Sens”,<\/p>\n\n

2002<\/strong>Vous Etes Ici, Amsterdam, The Paesi Bassi, “Suite Voices #5”Mus\u00e9e d’Art Contemporain de Lione, Francia, “L’Art Mol et Raide \u2026 Nouvelle presentation de la collection”Mus\u00e9e d’art moderne Lille Metropole, Lille, Francia, “Sans Commune Mesure”CapcMus\u00e9e d’art contemporain de Bordeaux, Francia, “The Seventies: Art inQuestion”Galerie Bugdahn und Kaimer, D\u00fcsseldorf, Germania, “Sculpture”Stedelkijk Museum, Amsterdam, The Paesi Bassi, “Conceptual Art 1965-1975 from Dutch Collections” 2001<\/strong>California College of Arts and Crafts, San Francisco, “Extra Art, A Survey of Artists’ Ephemera, 1960 \u20131999”Mus\u00e9e d’Art Moderne et Contemporain (MAMCO), Ginevra, Svizzera, “Art Express, Art Minimal and Conceptuel Am\u00e9ricain, 1961-1971”Espace de L’Art Concret, Mouans-Sartoux, Francia, “\u00c0 Fur et \u00e0 Mesure”,Oeffentliche Kunstsammlung Basel, “White Sculpture and Painting in the 20th Century”Pori Art Museum, Pori, Finland, “EMPATHY: Beyond the Horizon”,Maurice Keitelman Gallery, Bruxelles, Belgio<\/p>\n\n

2000<\/strong>Solomon R. Guggenheim Museum, New York, “Postmedia: Conceptual Photography in the Guggenheim Museum Collection”Nelson Atkins Museum of Art, Kansas City, Missouri, “Tempus Fugit”,Museion, Museo d’Arte Moderna, Bolzano, Italia, “Stanze”The Box, Torino, Italia, “Silver Shining”Maidstone Library, Kent, Gran Bretagna, “Pur”MJC, Dunkerque, Francia, “L’Artiste \u2013 Concepteur a New York”Centre National de la Photographie, Parigi, Francia, “La Collection dePhotographie d’agnes b.”Gallerie Comunale d’Arte Moderna e Contemporanea, Roma, Italia, “(E Cos\u00ec Via) (And So On) 99 Artisti della Collezioni Marzona”Musee d’Art Contemporain, Avignon, Francia, “Rendez-vouz, Collection LambertCasino Luxembourg, Luxembourg, “Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects, Works from the Collection of Annick and Anton Herbert”Whitney Museum of Modern Art, New York, “Flashing Into the Shadows: The Artist’s Film After Pop and Minimalism 1966 \u2013 1976′, (through early 2001) 1999<\/strong>Neues Museum Weimar, Weimar, Germania, “Die Sammlung Paul Maenz”,Espace Gallery, New York, “L’Art and Ecrit”Lance Fung Gallery, New York, “Wall Drawings: Robert Barry, Douglas Huebler, Sol Lewitt, Gordon Matta-Clark”Galerie Bugdhan und Kaimer, D\u00fcsseldorf, Germania, “Conceptual Art+Land Art 1969-1979”Holly Solomon Gallery, New York, “Past Forward”Esso Gallery, New York, “Scripta Manent”California College of Arts And Crafts, San Francisco, California, “Searchlights: Consciousness at the Millenium” 1998<\/strong> Leo Castelli Gallery, New York, “The Artists of the Leo Castelli Gallery 1957-1997, Forty Years of Exploration and Innovation”Yokohama Museum of Art, Yokohama, Japan, “La Collection Yvon Lambert”,La Musee D’Art Moderne Lille Metropole, Lille, Francia, “Sans Titre A Dis Ans”The Box, Torino, Italia, “Meteore”Susan Inglett, New York, “The Information Age”, curated by David PlatzkerCloister of the Jesuits, Nimes, Francia, “Les Instruments de la Passion”, curated by Rene Denizot 1997<\/strong> Leslie Tonkonow, New York, “Critical Images: Conceptual Works from the 1960s to the Present”Villa du Parc, Annemasse, Svizzera, “Form Du Simple-exercises D’Associations”Frac Nord-Pas Calais, Dunkerque, Francia, “La Rayure L’Intervalle Le Jour”California Palace of the Legion of Honor, San Francisco, California, “Thirty-five Years at Crown Point Press: Making Prints, Doing Art”,Kunstverein Rosenheim, Rosenheim, Germania, “Concrete Poetry and Conceptual Art”Newark Museum, Newark, New Jersey’, curated by Joe Jacobs,Art Forum Berlino, Berlino Germania, “Vous Etes Ici Editions”Le Nouveau Musee-Institute Francia Rhone-Alpes, Villerbanne, Francia“Le Bel Aujourd’hui”<\/p>\n\n

1996<\/strong> Frankfurter Kunstverein, Frankfurt, “Foto Text Text Soto”,Stedelijk Van Abbemuseum, Eindhoven, Holland, “Travaux Publics (Public Works)”, Bibliotheque Nationale de Francia, Galerie Colbert, Parigi, Francia, “EnFiligrane”,Galerie Foksal, Varsavia, Polonia, “Styki\/Contact Prints”,Galerie Analix, Ginevra, SvizzeraTraveling Exhibition in the U.K. and U.S. organized by Book Works, Londra, Gran Bretagna, “Itinerant Texts”,Gilbert Brownstone & Cie, Parigi, Francia, “Happy Hour”Museum in Progress, Reims, Francia, “a produites projects de 1990 a 1996 dans l’espace mediatique”Thomas Solomon’s Garage. Los Angeles, “Robert Barry, Douglas Huebler, Sol Lewitt: Early and Recent Works”Galerie Bugdhan und Kaimer, Dusseldorf, Germania, “Black, Grey and White” <\/p>\n\n

1995<\/strong>Galerie des Beaux Arts, Bruxelles, “Geometrie Sacree”Wadsworth Atheneum, Hartford, Connecticut, “On the Line: selections from the Lewitt Family Collection”Palais Lichtenstein, Vienna, “die Sammlung Marzona”Galerie Bugdhan und Kaimer, D\u00fcsseldorf, ‘Abstand und Naehe”, Prospect ’68-’69-’71L’Expo “In Vivo”, various locations in GinevraNeues Museum, Weserburg Bremen, Germania, “Copie-Grafien”,Place Royale, Bruxelles, “Les Fragments du Desir”“En Voyage; 45 degrees Nord and Longitude O,” various locations, organized by CAPC Musee d’Art Contemporain de Bordeaux, FranciaCastello di Baia, Napoli, Italia, “Contemporaneously”Villa Arson, Nice, Francia, “Murs du Sons”Littlejohn-Sternau Gallery, New York, “Julien’s Show II”American Fine Arts Co., New York, “mapping, A Response to MoMA”L’Espace d’Art Moderne et Contemporain de Toulouse et Midi-Pyrenees, “Corps de la Memoire”The Museum of Contemporary Art, Los Angeles, “1965 \u2013 1975: Reconsidering the Objects of Art”Neue Galerie am Landesmuseum JoanneumGraz, Graz, Austria, “Pittura\/Immedia, Painting in the 90’s”Stedelijke Academie Voor Schone Kunsten, Sint-Niklaas, Belgio, “Dubbel Spel”Musee d’Art Moderne de la Ville de Parigi, Parigi, “Passions Privees”<\/p>\n\n

1993<\/strong>Chateau de Villeneuve, Vence, Francia, “Pour les Chapelles de Vence,” travelled to Espace des Arts, Chalon-sur \u2013Saone, and CAPC Musee d’Art Contemporain, BordeauxSchlossmuseum Weimar, Weimar, Germania, “Werke aus der Sammlung Paul Maenz”Provincial Museum, Hasselt, Belgio, “Dialogues”Holly Solomon Gallery, New York, “Visceral Responses”Paula Cooper Gallery, New York; Le Consortium, Dijon, Francia; Le Capiton, Centre d’Art Contemporain, Frejus, Francia; Staedtische Galerie Goppingen, Germania; Galleria Massimo de Carlo, Milano; Hara Museum of Contemporary Art, Tokyo; “Pictures of the Real World (In Real Time),” organized by Robert NickasMusee d’Art Moderne et Contemporain, Ginevra, “Rudiments d’un Musee Possible”Southhampton City Art Gallery, Southhampton, Gran Bretagna, “Wall to Wall”National Gallery of Art, Washington, D.C., “From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection”<\/p>\n\n

1992<\/strong>Heiligenkreuzerhof\/Galerie Metropol, Vienna, “Live in Your Head,” curated by Robert NickasGalerie Yvon Lambert, Parigi, “Le Monde En Eclats, L’Oevre En Effraction”Lisson Gallery, Londra, “Out of Sight, Out of Mind”Kunsthalle Vienna; Frankfurter Kunstverein, Frankfurt, “Die Sprache der Kunst”Ueberwasserkirche, Munster, Germania, “Gegenbilder”Museion, Museo d’Arte Moderna, Bolzano, “Sound” 1991<\/strong>Kunje Gallery, Seoul, Corea, “Words”Musee d’Art Moderne, Nice, Francia, “Harry Shunk Projects: Pier 18”Stedelijk van Abbemuseum, “Uit de eigen collectic: Weiner, Barry & Kosuth”Galerie Senda, Barcelona, Spagna, “Robert Barry, Bryan Hunt, Allan McCollum, Dennis Oppenheim”Musee d’art moderne, Villeneuve d’Ascq, Francia, “Yvon Lambert Collectione”University Art Museum, Santa Barbara, California, “Knowledge, Aspects of Conceptual Art”The Wadsworth Atheneum, Hartford, Connecticut, “Open Mind: The LeWitt Collection”Galerie Bugdahn und Kaimer, D\u00fcsseldorf, “Robert Barry, Marianne Eigenheer, Mic Enneper, Peter Hutchinson, J\u00fcrgen Klagran Bretagnae, Marie Jo Lafontaine”<\/p>\n\n

1990<\/strong>Studio Oggetto, Milano, “Teorici Americani”Nicole Klagsbrun Gallery, New YorkThe Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, “8 Young Artist, Then + Now, 1964 \u2013 1991”, curated by E.C. GoossenVan Der Heydt Museum, Wuppertal, Germania, “Buchstaeblich, Words and Images in Today’s Art” Prino Piano, Roma, “Tre Opere 1965 \u2013 1975, John Baldessari, Robert Barry, Lawrence Weiner”Galerie Renos Xippas, Parigi, “The Painted Desert” curated by Robert NickasKunsthalle der Hypo-Kulturstiftung, Monaco, “Denk-Bilder, Kunst der Gegenwart 1960 \u2013 1990Hannover, Germania, “Aussenraum-Innenstadt” Daniel Newburg Gallery, New York, “1964” curated by Robert Nickas<\/p>\n\n

1989<\/strong>Leo Castelli Gallery, New York, “The 60’s Revisited\u2014New Concepts \/ New Materials”Rena Bransten Gallery, San Francisco, “Art Redefined”Nahan Contemporary, New York, “Robert Barry, Marianne Heske, Vladimir Zakrewski”Galerie Christine and Isy Brachot, Bruxelles, Belgio, “Red”, curated by Robert NickasNahan Contemporary, New York, “Concept\u2014Decoratif; Anti-Formalist Art of the 70’s”Nahan Contemporary, New York, “No Trends”The Art Museum at Florida International University, Miami, Florida, “From the Collection of Herbert and Dorothy Vogel”Rubin Spangle Gallery, New York, “Beyond the Frame”The Aldrich Museum of Contemporary Art, Ridgefield Conneticut, “Language in Art”Kunsthalle Bielefeld, Bielefeld, Germania, “Conceptual Art, Minimal Art, Arte Povera, Land Art, Sammlung Marzona”Galerie 1900 \u2013 2000, Parigi, “Conceptual Art Conceptual Forms”Milwagran Bretagnaee Art Museum, Milwagran Bretagnaee, Wisconsin, “Word as Image, American Art 1960 \u2013 1990”, traveling to Contemporary Arts Museum, Houston, TexasWasserman Galerie, Monaco, “Der Freie Raum”Deutsches Postmuseum, Frankfurt, Germania, “Vom Verschwinden der Ferne”Art Gallery of Ontario, Toronto, Ontario, Canada, “Inquiries, Language in Art”, Exhibition traveled to other galleries in CanadaTerrain Gallery, San Francisco, “Information”Hal Bromm Gallery, New York, “Works from the Seventies”Thomas Siegal Gallery, Boston, Massachusetts, “Art and Language”<\/p>\n\n

1988<\/strong>Art Gallery, York University, Toronto, Canada, “From Concept to Content: Robert Barry, Stanley Brown, Daniel Buren and Lawrence Weiner” curated by David BellmanMusee des Beaux Arts, Dijon, Francia, “Une Autre Affair”Tony Shafrazi Gallery, New York, “Words”Nahan Contemporary, New York, “Disappearances”Centre National des Arts Plastiques, Villa Arson, Nice, Francia, “Pas A Cote Pas N’Importe Ou 4”Frankfurter Kunstverein and Schirn Kunsthalle Frankfurt, Frankfurt, Germania; Montreal, Quebec, CanadaGalerie Gabrielle Maubrie, Parigi, “Minimal + Conceptuel”Real Art Ways, Hartford, Connecticut, “Ideas and Ephemera,” curated by Robert C. Morgan<\/p>\n\n

1987<\/strong>Museum Ludwig, Cologne, “Marcel Duchamp und die Avant-Garde seit 1950”Victoria Miro Gallery, Londra, “Robert Barry, Stanley Brouwn, Daniel Buren, Alan Charlton, Lawrence Weiner, Ian Wilson”Museum Fridericianum Kassel, West Germania, “Schlaf der Vernunft”Stedelijk Van Abbemuseum, Eindhoven, The Paesi Bassi; Carre d’Art, Musee d’Art Contemporain, Nimes, Francia, “Collection DV”Whitney Museum of American Art, Federal Reserve Plaza, New York, “Modes of Address: Language in Art since 1960”Musee d’Art Contemporaine de Bordeaux, Francia, “Art Conceptual I”Paula Cooper Gallery, New York, “20th Anniversary Group Exhibition”Galerie Paul Maenz, Cologne, “Group Show”Kunsthalle Bielefeld, West Germania, “Beyond the Picture: Works by Barry, LeWitt, Mangold and Tuttle from the Collection of Dorothy & Herbert Vogel”Galerie Catherine Issert, Parigi, “Dessins”Centro Cultura Art, Messico City, “Leo Castelli & His Artists: 30 Years of Promoting Contemporary Art”Barbara Krakow Gallery, Boston, “Pictorial Grammar”Galerie Johnen und Sch\u00f6ttle, CologneFrancoise Lambert Gallery, Milano, “Robert Barry, Pier Paolo Calzolari, Giulo Paolini, Lawrence Weiner”Castello di Rivoli, Museo d’Art Contemporanea, Torino, Italia, “Robert Barry, John Baldessari, Stanley Brouwn, Gunther Tuzina, Lawrence Weiner<\/p>\n\n

1985<\/strong>Museum of Art, Ft. Lauderdale, Florida, “An American Renaissance: Painting and Sculpture since 1940,” curated by Sam HunterThe Museum of Contemporary Art, Los Angeles, “Individuals: A Selection of Contemporary Art” <\/p>\n\n

1984<\/strong>Yvon Lambert Gallery, Parigi, “Oeuvres Moderns d’Art Contemporain” Edith C. Blum Art Institute, Bard College, Annadale-on-Hudson, New York, “The Maximal Implications of the Minimal Line” 1983<\/strong>The Guiness Hop Store, Dublin, “ROSC ’84”Galeria Francoise Lambert, MilanoHirshhorn Museum and Sculpture Garden, Washington, D.C., “Content: A Contemporary Focus, 1974 \u2013 1984”Palais des Beaux-Arts de Bruxelles, Bruxelles, “Regard sur la Quatrieme Dimensioin: L’Art et Le Temps”Kunsthaus, Amburgo, “Im Toten Winkel”Seagram Building, New York, “Drawings by Sculptors: Decades of Non-Objective Art in the Seagram Collection” (travelling exhibition)Musee Saint-Pierre, Lione, Francia, “Acquisition 1984: Art Contemporain” University Art Museum, California State University. Long Beach, California, “Selections from the Collection of Sol LeWitt” <\/p>\n\n

1982<\/strong>Massimo Minini, Brescia, Italia, “Sessanta Opere”Paul Maenz, Cologne, “Master Works of Conceptual Art”A Pierre et Marie, Parigi, “Conception II”Kassel, Germania, “Documenta VII”Crown Point Press, Oakland, California, “Artists’ Photographs”Musee de Toulon, Toulon, Francia, “Sans Titre”Musee d’Art Contemporain, Montreal, Canada, “Livres d’Artistes”Centre d’Art Plastique Contemporains de Bordeaux, Francia, “Antiform et Arte Povera: sculptures 1966 \u2013 69”La Jolla Museum of Contemporary Art, La Jolla, California: Aspen Center for the Visual Arts, Aspen, Colorado; Leo Castelli Gallery, New York; Portland Center for the Visual Arts, Portland, Oregon; Laguna Gloria Art Museum, Austin Texas; “Castelli and His Artists”The Aldrich Museum, Ridgefield, Conneticut, “Postminimalism”Musee d’Art Contemporain, Montreal, Canada, “Musique-Son-Language-Theatre” 1980<\/strong>Internationale Ausstellung K\u00f6ln, “Westkunst”Ben Shahn Gallery, William Patterson College, Wayne, New Jersey, “4 x 7 from the Vogel Collection”<\/p>\n\n

1979<\/strong>Cowell College Gallery, University of California, Santa Cruz; Oakland Museum, Oakland California; “Music, Sound, Language, Theatre”St\u00e4dtische Kunsthalle, D\u00fcsseldorf; Stedelijk Museum, Amsterdam; “Sammlung Panza”Leo Castelli Gallery, New York, “Drawings to Benefit the Foundation for Contemporary Performance Arts, Inc.”1978<\/strong>InK, Halle Fuer Internationale Neue Kunst, ZurigoUlrich Museum of Art, Wichita State University, Wichita, Kansas, “The Literal Use of Time’Museum Bochum, Bochum, West-Germania; Palazzo Ducale, Genova, Italia; “Words Words”Centre Pompidou, Parigi, “Une Exposition d’Artistes Invites par Ian Wilson”The Art Institute of Chicago, Chicago, Illinois, “73rd American Exhibition”<\/p>\n\n

1977<\/strong>Julian Pretto Gallery, New York, “Conceptual Art”Artists Space, New York, “Audio Works”Julian Pretto Gallery, New York, “New Works”<\/p>\n\n

1976<\/strong> Museum of Modern Art, New York, “Bookworks”Fruit Market Gallery, Edinburgh, ScoziaCarlisle Museum and Art Gallery, Carlisle, Gran BretagnaGeorgia Museum of Art, Athens, Georgia, ” Open to New Ideas: A Collection of New Art for Jimmy Carter”Leo Castelli Gallery, New York, “Robert Barry, Don Judd, Robert Morris, Keith Sonnier”Whitney Museum of American Art, New York, Downtown Branch, “Words”Museum of Contemporary Art, Chicago Illinois, “Words at Liberty”Camerawork, Inc., San Francisco, “Robert Barry, Barbara Jo Reville, Art Brewer, Robert Schiappacasse”University of Michigan Museum of Art, Ann Arbor, “Works from the Collection of Herbert and Dorothy Vogel”<\/p>\n\n

1975<\/strong>Cannaviello Studio d’Arte, Roma, “Drawing, USA”Sable-Castelli Gallery, Ltd., Toronto, “Survey, Part II”The Renaissance Society at the University of Chicago, “Ideas on Paper 1970 \u2013 76”Paul Maenz, Cologne, “Projects\/Drawings\/Diagrams”<\/p>\n\n

1975<\/strong> KAA Gallery, Toronto, Canada, “Language & Structure in North America”, ( a circulating exhibition at The Clocktower, New York; The Institute for Contemporary Art, Philadelphia, Pennsylvania; Contemporary Art Center, Cincinnati, Ohio;“Painting, Drawing & Sculpture from the Collection of Dorothy and Herbert Vogel”Sarah Lawrence College Gallery, Bronxville, New York, “Word, Image, Number” 1974<\/strong> The John F. Kennedy Center for the Performing Arts, Washington, D.C., “Art Now”Art and Project, Amsterdam\/MTL, Antwerp, Belgio. “Ninth Anniversary Exposition”Galleria Dell’Obelisco, Roma, “De Mathematica”Paul Maenz, Cologne, “13 Projects ’74 Artists”Kunstverein, Braunschweig, “Concept Art”Kunsthalle, Cologne, Project ’74, “Kunst bleibt Kunst” 1973<\/strong>Parcheggio di Villa Borghese, Roma, “Contemporanea”<\/p>\n\n

1972<\/strong> Mills College, Oakland, California, “Notes and Scores for Sounds”Kassel, Germania, “Documenta 5 “Basel, Svizzera, “Konzept”-Kunst”Memorial Art Gallery, Rochester, New York.”Art Without Limit”Cologne Art Fair, Cologne, West GermaniaBiennale di Venezia, Venezia, ItaliaStedelijk Museum, Amsterdam, “Kunst Als Boek”Galerie Yvon Lambert, Parigi “Actualite d’un Bilan”Art and Project, AmsterdamWestfaelischer Kunstverein, Landesmuseum, M\u00fcnster, Germania, “Das Konzept ist die Form”Museum of Modern Art, Oxford, Gran Bretagna, “Drawing” 1971<\/strong> Sir George Williams University, Montreal, Canada, “Conceptual Art”Zagreb, Yugoslavia, “At the Moment”Kunsthalle Nurnberg, “Artist, Theory & Work”Francoise Lambert, Parigi, “Eight Proposals”Galerie 16, Kyoto, Japan, “Conceptual Extension”Westfalischer Kunstverein zu Munster, “Concept Art”Centro de Arte y Comunicacion and Museum of Modem Art of Buenos Aires, “Art Systems”Museum of Modern Art, New York, “Project: Pier 18”Galerie SKC, Belgrade, Yugoslavia “In Another Moment”D\u00fcsseldorf, Germania, “Prospect 71”Biennale de Parigi, Parigi, Francia 1970<\/strong> Sidney Janis Gallery, New York, “String and Rope”Parigi, “18 Parigi IV, ’70”Allen Memorial Art Museum, OBerlino College, OBerlino, Ohio, “Art in the Mind”La Jolla Museum of Art, La Jolla, California, “Projections: Anti-Materialism”New York Cultural Center, New York, “Conceptual Art and Conceptual Aspects”Museum of Modern Art, New York, “Information”Galleria Civica d’Art Moderna, Torino, Italia, “Conceptual Art and Arte Povera, Land Art”Kyoto Municipial Museum of Fine Arts, Kyoto, Japan, “Nirvana”Art and Project, AmsterdamGalleria San Fedele, Milano, “Concept and Concept”Nigel Greenwood Gallery, Londra, GBNew York State Council of the Arts, “Critic’s Choice”Studio International Londra “Groups” (a magazine exhibition organized by Seth Siegelaub)Art and Project, Amsterdam, Paesi BassiThe Jewish Museum, New York, “Software,” curated by Jack Burnham,<\/p>\n\n

1969<\/strong> San Francisco Art InstitutePaula Cooper Gallery, New York, USASimon Fraser University, Vancouver, British ColumbiaEugenia Butler Gallery, Los Angeles, “Conception-Perception”Seth Siegelaub, New York, “July, August, September”Seattle Art Museum Pavillion, Seattle, “557,087” and Vancouver Museum of Art, Vancouver, British Columbia, “995,000”Kunsthalle D\u00fcsseldorf, “Prospect 69”School of Visual Arts Gallery, New York, “groups”Seth Siegelaub, New York, “January 5-31, 1969”Seth Siegelaub, New York, “March 1969”Kunsthalle Bern; The Institute of Contemporary Art, Londra, “When Attitudes Become Form\u2026”Stedelijk Museum, Amsterdam; Folkwang Museum, Essen, Germania “Op Losse Schroeven” 1968<\/strong> Bradford Junior College, Bradford, Massachusetts, USAWindham College, Putney, Vermont, USAAmerican Federation of Art, “The Square Painting”Paula Cooper Gallery, New York, USASiegelaub-Wendler, New York, “Xerox Book”<\/p>\n\n

1967<\/strong>Muller Gallery, Stuttgart<\/p>\n\n

1966<\/strong> Stephen Radich Gallery, New York, USAThe Guggenheim Museum, New York, “Systematic Painting”Tibor de Nagy Gallery, New York; Stable Gallery, New York; “Distillation,” curated by E.C. Goosse<\/p>\n\n

1965<\/strong> Westerly Gallery, New York. “The New Edge” 1964<\/strong> American Federation of Arts, New York (traveling exhibition)Hudson River Museum, Yonkers, New York; Bennington College,Bennington, Vermont, “Eight Young Artists” curated by E.C. Goossen <\/p>\n\n

Istallazioni Pubbliche Permanenti<\/p>\n\n

2005<\/strong> Acerra Metro Train Station, Napoli, Italia“Reflets et R\u00e9flexions”, ceiling of the Salle du Fumoir, Mus\u00e9e d’Orsay, Parigi, FranciaBSI Bank, Lugano, Svizzera<\/p>\n\n

2004<\/strong> Princeton Public Library, (corner stone), Princeton, NJ, USAAXA Bank, Bruxelles, Belgio2001<\/strong> McKinsey and Company, D\u00fcsseldorf, GermaniaLenbachhaus, Monaco, Germania<\/p>\n\n

2000<\/strong> Yvon Lambert Collection, H\u00f4tel de Laumont, Avignon, Francia1999<\/strong> Versicherungskammer Bayern, Monaco, GermaniaInnogenetics Biotechnology Research Corporation, Ghent, Belgio1998<\/strong> L.H.I. Leasing, Monaco, GermaniaCaf\u00e9 of the New Museum of Contemporary Art, Weimar, Germania<\/p>\n\n

1997<\/strong> D.Z. Bank, Frankfurt, Germania1996<\/strong> Theatre les Abessess de la Ville de Parigi, Parigi (Charles Vandenhove, architect)Hotel Windsor, Nice, FranciaFinstral GmbH, Gochsheim, Germania<\/p>\n\n

1992<\/strong> Kapel de Liefde, Amsterdam1990<\/strong> Rentschler Pharmaceutical, Laupheim, Germania1990<\/strong> Sprengel Museum, Hannover, Germania<\/p>\n","protected":false},"excerpt":{"rendered":"

ROBERT BARRY 16th centuryRobert Barry2.-28.9.74 Rolf PreisigCH-4058 BaselWettsteinallee 6Telefon 061 49 04 95 Mo-Fr 14-18 UhrSa 10-14 Uhr courtesy Stefano Giovanazzi#archivioartecontemporaneaArchivio Arte Contemporanea Roveretocaa contemporary art archive roveretovia Vittorio Veneto 5, Rovereto (TN) Italia Uno tra 180.000 documenti. L’archivio accoglie quotidianamente nuovi documenti sull’arte e il pensiero contemporaneo. Invitation sent from Basel at six o’clock … <\/p>\n

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