Stefano Giovanazzi Archive

AAC Contemporary Art Archive

Documenti sull’arte e il pensiero contemporaneo raccolti, catalogati e conservati da Stefano Giovanazzi

The aac contemporary art archive is a project born in the early 1980s. Conceived, created, and curated by Stefano Giovanazzi, aac is a collection of 180,000 documents conceived, written, and published primarily by artists, critics, and art historians, but also by writers, philosophers, anthropologists, sociologists, and epistemologists. The materials come from Italian and international artists, publishers, institutions, and collectors, and are largely dedicated to artistic research as well as a reflection on the conditions of contemporary living.

Born from a profound desire to collect and preserve evidence of twentieth-century art movements and protagonists and to actively participate in the promotion of contemporary artists, the project has expanded over time to include materials from numerous other disciplines. Thus, from its beginnings in the early 1980s in Venice during its formative experience at the Academy of Fine Arts, in contact with particularly active figures on the international scene such as Emilio Vedova and Luigi Nono, and then in Rovereto during a variety of curatorial experiences that fostered a clear awareness of contemporary issues, particularly with the activities promoted within the “Senzatitolo. Eventi, Azioni, Esposizioni” festival, the flow of acquisitions has never stopped; in fact, it has accelerated over time. Certainly, the wealth of art events between the 1990s and the early years of the new millennium enriched the collection with documents of outstanding theoretical and critical significance, contributing to its complex and diverse structure, as well as being organized by discipline and bibliographical cataloguing. Encounters with the protagonists of the artistic experiences of those years, and with some of the most important figures in contemporary philosophical and literary thought and reflection—from Joseph Kosuth to Illya Kabakov, from Giuseppe Panza di Biumo to Giuliano Gori, from Michael Snow to Stefano Boeri, from Benoît Mandelbrot, from Daniele Del Giudice to Paolo de Benedetti—shed light on an extremely lively national and international panorama, rich in reflections and proposals regarding both the creative dimension and the human condition in general.

The work carried out over these three decades has allowed us to forge a network of international relationships with a wide variety of creators: artists, creatives, gallery owners, museum directors, collectors, publishers, and so on, and consequently with numerous institutions: museums, foundations, research centers, residences, alternative spaces, and associations. These relationships have allowed us to at least partially redefine the environment of the world of art and thought: today, the fruit of this experience, a database collects more than 130,000 contacts in over 150 countries worldwide, testifying to a persistence in these relationships, beyond the uncertain events that inevitably affect the life of each individual, which we can perhaps define as antithetical to the growing “dematerialization” of practices connected to the world of art and culture in general.

The archive in numbers

The AAC Contemporary Art Archive is a documentation center with a collection of over 180,000 documents, acquired since the first half of the 1980s, mainly dedicated to art, design, architecture, philosophy, and contemporary thought.

The following have been indexed to date:

• 105,000 printed documents: monographs, periodicals, sound recordings.

Instead, the following should be catalogued:

• 20,000 other printed documents.
• 50,000 pieces of “minor” material or gray literature: invitations, brochures, posters, press kits. Among these materials is a very rare collection of invitations to exhibitions held between the 1960s and 1970s by artists active in the conceptual, minimal, and Arte Povera movements.
• 3,000 sound and video recordings: vinyl records, magnetic tapes, CDs, CDRs, DVDs;
• 600 works of art: paintings, drawings, photographs, but above all graphic works, multiples and limited editions, numbered and signed by the artists.
• 2,000 posters: among them, some very rare, designed in the 1920s by artists belonging to the historical avant-garde.
• 5,000 original photographic documents: F.lli Alinari Archive, Florence, Pavilions at the International Art Exhibition “La Biennale di Venezia”, Francesca Cristellotti Digital Photographic Archive, Rovereto.

The archive also contains other types of printed documents: maps, postcards, religious images (holy cards), numbering in the thousands.

The trend. The collection is constantly growing: the estimate, based on the average of the last five years, predicts an increase of over 8,000 items per year; in 2018, more than 10,000 were acquired, 4,500 in 2019, 6,700 in 2020, and 9,000 new documents in 2021.

Criteria for collecting documents in the archive

The documents held at the AAC Archivio Arte Contemporanea—published primarily since the post-World War II period—were collected taking into account specific requirements: their relevance to contemporary history, the history of thought, and the history of art; their rarity; their relevance to documents previously collected and preserved in the archive; and their availability on the national and international markets.

Thematic areas and typology of documents

The areas of inquiry defined by the collected documents are particularly interesting in relation to developments in contemporary philosophical, aesthetic, and critical thought. They often focus on the “movements” that have emerged over the last century: in the artistic field, Art Informel, Pop Art, Optical and Kinetic Art, Conceptual and Minimal Art, Arte Povera, Transavanguardia, all the way up to the present day. For each movement in the archive, documents have been collected that demonstrate its relevance, complexity, and sometimes even heterogeneity: rare documents such as programmatic texts, critical essays, catalogs, monographs, magazines, exhibition invitations, posters, sound and video recordings, graphic works, and artist’s multiples, sometimes even one-of-a-kind signed pieces.
The same approach has been taken for the most significant experiences of political thought and action of the second half of the twentieth century—from Situationism to the Student Movements of 1968 and 1977, and so on. Literary, philosophical, and historical experiences are also documented with the most relevant and influential texts of today’s thinkers.

Activities and collaborations

Governments and government institutions

Senate of the Italian Republic, Ministry of Cultural Heritage and Activities, Canadian Embassy, ​​Basque Government (Spain), Cervantes Institute of Culture (Spain), British Council (Great Britain), French Ministry of Culture, Institut Français (France), Goethe Institute (Germany)

Regions and Provinces

Trentino-Alto Adige Region, Autonomous Province of Trento, Autonomous Province of Bolzano

Municipalities

Municipality of Ala TN, Municipality of Besenello TN, Municipality of Bolzano, Municipality of Borgo Valsugana TN, Municipality of Brentonico TN, Municipality of Calliano TN, Municipality of Foligno PG, Municipality of Isera TN, Municipality of Mori TN, Municipality of Merano BZ, Municipality of Venice, Municipality of Trento, Municipality of Rovereto, Municipality of Ronzo-Chienis TN, Municipality of Ruffrè TN, Municipality of Villa Lagarina TN, Municipality of Volano TN

Museums and Centers

L. Pecci Center for Contemporary Art, Prato; MART Museum of Modern and Contemporary Art of Trento and Rovereto, Trento and Rovereto (TN); Venice Biennale, Venice, Civic Gallery of Contemporary Art, Trento; ICA Institute of Contemporary Art, London, Tridentine Museum of Natural Sciences, Trento; MuSe Trento, Buonconsiglio Castle Museum, Trento

Organizations, Institutes, Associations

University of Trento, District of Treptow von Berlin, Municipality of Berlin, “Antonio Stradivari” School of Violin Making in Cremona, “F. Depero” Art Institute of Rovereto (TN), APT Tourist Board of Rovereto and Vallagarina, APT Tourist Board of Trento, Vallagarina District, BIM of the Adige, Association of Artisans and Small Businesses of the Province of Trento

Foundations

The Venice Biennale, the Boetti Archive Foundation, the Fiumara d’Arte Foundation, the Daniel Spoerri Garden Foundation, the Accorsi Foundation, the Achille Marazza Foundation, the Antonio Ratti Foundation, the Arnaldo Pomodoro Foundation, the Tito Balestra Foundation, the Bandera Foundation for Art, the Baruchello Foundation, the Bevilacqua La Masa Foundation, the Cargaleiro Foundation, the Foundation of the Order of Architects, the Stelline Foundation, the Orestiadi High Culture Foundation, the Roberto Longhi Foundation, the Italian Foundation for Photography, the Lanfranco Baldi Foundation, the Luciana Matalon Foundation, the Lucio Fontana Foundation, the Magnani Rocca Foundation, the Mazzullo Foundation, the Mudima Foundation, the Morra Foundation, the Nicola Trussardi Foundation, the Palazzo Albizzini-Burri Foundation, the Palazzo Bricherasio Foundation, the Pistoletto Foundation, the Prada Foundation, the Sandretto Re Rebaudengo Foundation, the Querini Stampalia Scientific Foundation, the Southeritage Foundation, the Teseco Foundation, the Zappettini Foundation, Kunst Merano Arte, the FAI Italian Environment Fund, the Palazzo della Permanente, the Casabianca Malo, Celle Farm – Gori Collection

Galleries and Cultural Associations

CRAM, Mezzocorona (TN), Mazzoli Gallery, Modena, Massimo Minini Gallery, Brescia, Studio Guenzani, Milan, Continua Gallery, San Gimignano (SI), Antonio Colombo Gallery, Milan, Molto Multimedia Gallery, Milan, C/O, Milan, Kunstforum, Merano BZ, Artforum, Merano BZ, Arge-Kunst, Bolzano, Marabini Gallery, Bologna, Galerie Thoman, Innsbruck [A], Il Castello Gallery, Trento, Improvvisazione Prima Gallery, Trento, Interzona, Verona, Neon Gallery, Bologna, Fabbrica Eos Gallery, Milan, Mairania857, Merano (BZ), Veragouth Contemporary Art, Lugano [CH], VIAINDUSTRIAE Association, Foligno, Werkbank, Lana (BZ), Ziggurat, Trento

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Events curated from 1994 to 2000

1. Exhibitions

1994 Numero Civico, September 7-11, Rovereto, TN, works by Mario Airò, Vincenzo Cabiati, Francesco Dal Bosco, Eva Marisaldi, Chiyoko Miura, Liliana Moro, Luca Quartana, Andrea Rabbiosi, Grazia Toderi, Francesco Voltolina, curated by: Elena Boccini, Silvano Brugnara, Lucia Farinati, Stefano Giovanazzi, Barbara Mosna, exhibition venues: Casa Alimonta, via Dante 8, Plastic Rock, via della Terra 42, Casa Klaus, P.zza Sant’Osvaldo 2, Casa Tomasi, via Dante 49, Casa Castioni, via Saibanti 13, Casa Briata, via Balista 1, Fabrika, via Balista 1, Casa Eccher, viale Trento 43. 1995 Photographs. Vanessa Beecroft Joan Coplans Jean Dunning Julia Sher Charles Ray, Improvisation First, Trento; Short Exhibitions: Definitions from Investigation I and II. Works by Joseph Kosuth, Improvvisazione Prima, Trento; Short Exhibitions: Meeting with Eva Marisaldi, Cooperativa Drake, Trento; Short Exhibitions: Meeting with Mariella Spinelli, Improvvisazione Prima, Trento; Forecasts: Guided tour, meeting with Laura Attolini, poems by Paolo Donini, Studio Arancia, Trento; Forecasts: My Business, meeting with Elisabeth Hoelzl, Studio Arancia, Trento; Short Exhibitions: Luca Quartana, lyricist, Improvvisazione Prima, Trento; Forecasts: A Break, meeting with Emilio Fantin, Badia S. Lorenzo, Circolo degli Alpini, Gardens, Tridentine Museum of Natural Sciences, Torretta c/o Giovanna Venditti, Vicolo Colico, Trento; Short Exhibitions: Anomaly. Rita Ackermann Richard Ambleton John Currin Sean Landers Sherrie Levine Raymond Pettibon Richard Prince Jim Shaw Jeffrey Wallance, Improvvisazione Prima, Trento; Short Exhibitions: meeting with Mario Airò, Improvvisazione Prima, Trento; 1996 May 30, Asuncion Goikoetxea (Spain), artist, Improvvisazione Prima Gallery, via del Suffragio 83, Trento, duration: May 30, June 10; May 31, Elena Ferrer (Spain), artist, exhibition and performance of the poet, Juan Antonio Gonzáles-Iglesias (Spain), Fabrika. Temporary Art Space, via Pedroni 1, Rovereto TN, duration: May 31 – June 12; Saturday 5 October, Meeting with Andrea Rabbiosi, artist (I) *, Improvvisazione Prima Gallery and Spazio Nô, Trento, duration 5-20 October; Friday 18 October, Meeting with Maria Salvati, artist (Italy), Itinerario *, Soundtrack by Evelina Tigliz, musician (I), Fabrika, Temporary Art Space, Rovereto, duration 18 Oct.-12 Nov.; Monday 21 October, Meeting with Tito Maffei, artist (I), Micro *, Galleria Improvvisazione Prima and Spazio Nô, Trento, duration 21 Oct.-10 Nov.. 1997 Wednesday 4 June, Sala Video Palazzo delle Albere, Trento, “(Il) corpo (h)a corpo” multimedia events, The Addiction event by and with, Federico Tanzi-Mira, Marco Vaglieri, Francesco Voltolina, Milan I, in collaboration with Magma Teatro, Milan I; Friday 6 June, Fabrika Temporary Art Space, Rovereto, Leopoldo Ferran Agustina Otero, artists, Irùn E, Duration: 6 June-5 July; Wednesday 11th at 8.30 pm, Video Room Palazzo delle Albere, Trento, “(The) body (h)a body” multimedia events, The Addiction, part II event by and with, Federico Tanzi-Mira Marco Vaglieri Francesco Voltolina, in collaboration with Magma Teatro; Wednesday 23rd June, Video Room and Garden, Palazzo delle Albere, MART, Trento, Coincidenze 0, notes in the margins of the XLVII International Art Exhibition La Biennale di Venezia, Documenta X, Kassel, Skulpture Projekte 97 Münster, Separazione 1997, video installation by Stefano Cagol, artist, Duracell, installations by Silvano Brugnara and Christian Tomasi, artists and musicians; Solo exhibition by Vincenzo Cabiati, Roman Ping Roman Pong, curated by Bettina Della Casa, Stefano Giovanazzi and Francesca Cristellotti, Saturday 25th October at 6 pm, Sala Coro Bianche Zime, Rovereto; Solo exhibition by Andrea Crociani, Mexican Proverbs Installation, curated by Bettina Della Casa, Stefano Giovanazzi and Francesca Cristellotti, Saturday 25/10 at 6 pm, Palazzo dei Diamanti Hall, Rovereto; Solo exhibition by Massimo Uberti, Invisible City Installation, curated by Bettina Della Casa, Stefano Giovanazzi and Francesca Cristellotti, Saturday 25/10, Mimismagia Hall, “Depero” Art Institute, Rovereto. 1998 NON, Nino Caltabiano, Fabio Polvani, Giuseppe Saiani, Maria Salvati, Evelina Tigliz, Christian Tomasi, & Silvano Brugnara, Malpaga Exhibition Hall, Trento, Friday 16 and Saturday 17 January, duration: from 19 to 24/1; Francesco Dal Bosco, Ghost, first ever installation, Fabrika Temporary Art Space, Rovereto TN, 23-24/10; Osvaldo Maffei, Videolights, first ever installation, Fabrika Temporary Art Space, Rovereto TN, 27-31/10; Vedova Mazzei, A Modest Proposal, Fabrika Temporary Art Space, Rovereto TN, 28-29/10; Annamaria Martena, Retrovisions, Fabrika Temporary Art Space, Rovereto TN, 29-31/10; Luca Quartana Videoconference, Exhibition Hall in Via Malpaga, Trento. 1999 Dimension, Fabbrica Eos Gallery, Milan; Mission Impossible, Works by Maria Salvati, Andrea Rabbiosi, Fabio Polvani, DLF Bologna 27-31/01; Davide De Paoli Necrormone, Vecchie Terme, Merano BZ I. 2000 Maria Salvati WHO, Numero Civico Spazio d’Arte, Rovereto TN I, 25/05/00-24/06/00; Davide De Paoli Necrormone, Castel Mareccio, Bolzano BZ, presentation by Letizia Ragaglia.

2. Meetings and conferences on art criticism and theory

1995 Incontro con Renato Rizzi, architetto, Stefano Boeri, architetto, Palazzo Todeschi, Rovereto TN. 1996 11 giugno, Incontro con Bruno Corà (I), direttore del Museo “L. Pecci”, Prato: + Spazio, Walter Santagata (I), docente di economia, Università di Torino, Centri d’arte non museali, collezionismo e istituzioni, incontro dibattito, Aula Magna, Museo Tridentino Scienze Naturali, Trento; Sabato 26 ottobre, Incontro con Maurizio Barberis, critico d’arte (I), Paesaggio con orizzonte, Galleria Improvvisazione Prima e Spazio Nô, Trento; Sabato 23 novembre, Incontro con Giuseppe Panza di Biumo, collezionista (I) Una collezione dedicata a Terra e Cielo, Auditorium “R. Zandonai”, Rovereto. 1997 Mercoledì 28 maggio, Polifunzionale, Trento, Angela Vettese critica d’Arte, Milano, presentazione del libro Capire l’arte contemporanea; Venerdì 30 maggio, Sala Filarmonica, Rovereto, Lorenzo Taiuti, teorico e autore nel settore nuovi media, Roma, Presentazione del libro Arte e Media, Costa e Nolan, Proiezioni video di opere dell’avanguardia storica, di videoarte elettronica, Man Ray, Cahen, Knobotic research ecc.) introduzione di Antonio Bisaccia, Bologna; Lunedì 2 giugno, Polifunzionale, Trento, Teresa Macrì critica d’arte Roma I presentazione del libro, Il corpo postorganico. Sconfinamenti della performance, Costa & Nolan, e introduzione di Antonio Bisaccia, Proiezioni video di Marcel li’ Antunez Roca, Nan Goldin, Andres Serrano, Günther Brus, Cane Capovolto, Cuoghi & Corsello, Franko B (varie nazioni); Mercoledì 23 giugno, Sala Video e Giardino, Palazzo delle Albere, MART, Trento, Coincidenze 0, note a margine di XLVII Esposizione Internazionale d’Arte La Biennale di Venezia, Documenta X, Kassel, Skulpture Projekte 97 Münster, Incontro con Emanuela De Cecco, critica d’arte, Stefano Giovanazzi, critico curatore; Immateriali Architetture. Posizione e rimozione del “contemporaneo” nelle arti, convegno: intervengono i critici e curatori: Bettina Della Casa, Lugano, Stefano Giovanazzi, Rovereto, Markus Klammer, Bolzano, Sergio Risaliti, Prato, Ulrike Mair, Innsbruck, i collezionisti: Francesco Manzi, Udine, Giuliano Perezzani, Sanguinetto, Giorgio Fasol, Verona, l’architetto Giovanni Leo Salvotti De Bindis, Trento, Sabato 25/10, Sala Filarmonica, Rovereto. 1998 Non, Incontri improvvisi di discussione su eventi e situazioni d’arte contemporanea, intervengono: Antonio Bisaccia, Vittoria Chierici, Roberto Daolio, Corrado Levi, Bruno Sanguanini, Lorenzo Taiuti, Maria Grazia Torri, Sala Espositiva di via Malpaga, Trento, 16-17/10; Luca M. Patella, Fra semiologia, comportamento e racconto: protoesempi dell’uso del medium film nelle arti visive italiane, telepresentazione audio dell’autore, Sala Filarmonica, Rovereto TN, 22/10; Colloquio con Luca Quartana, Sala Espositiva di via Malpaga, Trento, 2/11; Vincenzo Cabiati, collettiva, New Santandrea, Savona. 1999 Missione impossibile, incontro fra arteria, a.titolo, base, care/of, imaginaria, lastation, nave9, neon, noadmittance, pneuma, senzatitolo, skuc, soma, undo.net, zone, DLF Bologna 27-31/01. Vincenzo Cabiati, Musée Fesch, Aiaccio F (produzione opere e video); Vincenzo Cabiati Amedeo Martegani, Emilio Mazzoli Galleria d’Arte, Modena (produzione opere); Luca Pancrazzi, personale, Antonio Colombo Arte Contemporanea, Milano (installazione opere video); Senzatitolo/Lo Stato dell’Arte, convegno, Domenica 13 giugno ore 11/13-14/16, Venezia I, Giardini, Padiglione Italia, Spazio “Oreste” Nuovi Spazi per l’Arte, Meeting, partecipano: AAVV, Carta Bianca per l’Arte a Venire, Ulla Arnell, curatrice, Riksutstallningar, Stockholm S, Dimitri Bosi, Corrado Anelli, Alberto Melarangelo, Progetto Arte Contemporanea Castello della Monica (TE) I, Francesca Cristellotti, curatrice e musicista, I Passanti, Trento I Mario Cristiani, curatore, Associazione Arte Continua, San Gimignano (SI) I, Francesco Dal Bosco, artista e regista, Trento I Anna Daneri, curatrice, Fondazione Antonio Ratti, Como I, Franco Fiorini, architetto, docente presso l’Università di Perugia I, Denis Gaudel, architetto, Projet 10, Paris F, Gino Giannuizzi, curatore, Neon, Bologna I, Stefano Giovanazzi, curatore, Numero Civico Associazione Culturale, Rovereto TN I, Mario Gorni, curatore, C/O, Cusano Milanino (MI) I, Alain Guez, architetto, Architecture Urbaine, Paris F, Paolo Parisi, artista e curatore, Base, Firenze I, Eva Persson, curatrice, Ekomuseum Bergslagen, Smedjebacken, S, Cesare Pietroiusti, artista e curatore, Roma I, Gianluca Poldi, ricercatore, IKHSE Istituto Kaspar Hauser per gli Studi Economici, Milano I, Fabio Polvani, Vittoria Chierici, artisti, Cartello 99/Kammerweb, Bologna I, Alessandra Raso – Stefano Testa, architetti, Cliostraat, Torino I, Renato Rizzi, architetto, Rovereto TN, docente presso IUAV, Venezia I, Gian Leo Salvotti, architetto, IN/ARCH-Sezione Trentino, Trento I, Maurizio Scudiero, critico e storico del futurismo, Rovereto TN I, Andrea Sperni, artista, Bologna I, Ulrika Sten, curatrice, Riksutstallningar, Stockholm S, Elisabeth Thoman-Oberhofer, critica e direttrice, Kunstraum Innsbruck A, Fabrizio Varesco, regista e produttore, Ravenna I, Varesco Produzioni; Senzatitolo/Lo Stato dell’Arte, convegno, Lunedì 14 giugno, ore 17/20, Rovereto (TN) I, Sala Filarmonica, Nuovi Spazi per l’Arte. Meeting, partecipano: Francesca Cristellotti, curatrice musicista, I Passanti, Trento I Mario Cristiani, presidente Associazione Arte Continua, San Gimignano (SI) I Francesco Dal Bosco, artista e regista, Trento I Denis Gaudel, architetto, Projet 10, Paris F, Gino Giannuizzi, curatore, Neon, Bologna I Stefano Giovanazzi, curatore, Numero Civico Associazione Culturale, Rovereto TN I, Alain Guez, architetto, Architecture Urbaine, Paris F Paolo Parisi, artista e curatore, Base, Firenze I, Fabio Polvani, Vittoria Chierici, artisti, Cartello 99/Kammerweb, Bologna I, Alfred Peschek, compositore, Festival Musica Incognita, Linz A Eva Persson, curatrice, Ekomuseum Bergslagen, Smedjebacken, S, Cesare Pietroiusti, artista e curatore, Roma I, Luca Quartana, artista e poeta visivo, Milano I, Renato Rizzi, architetto, Rovereto TN, docente presso IUAV, Venezia I, Maurizio Scudiero, critico e storico del futurismo, Rovereto TN I, Francesco Valdambrini, compositore, Verona I, Associazione Musicale Tricordale, Trento I, Fabrizio Varesco, regista e produttore, Ravenna I, Varesco Produzioni. 2000 Senzatitolo/Lo Stato dell’Arte2: Nuove Forme dell’Identità Artistica, convegno-laboratorio, Rovereto (TN) I, Sala Circoscrizione Brione: participano: Artisti: Stefano Arienti, Milano, Vincenzo Cabiati, Savona, Amedeo Martegani, Milano, Fabio Paracchini, Milano, Cesare Pietroiusti New York , Luca Quartana, Milano, Andrea Rabbiosi, Sondrio, Francesco Voltolina, Milano, Architetti: Stefano Boeri Milano, Attori, Paolo Fagiolo, Milano, Collezionisti: Giuliano Perezzani, Verona, Corrado Levi, Milano-Torino, Coordinamenti Curatoriali: Giorgina Bertolino, Francesca Comisso, Lisa Parola, Luisa Perlo coordinamento di a.Titolo, Torino I, Voti (Union of the Imaginary The Net) Hans Ulrich Obrist, Carolyn Christov Bakargiev, vari stati, Stefano Giovanazzi, Numero Civico, Rovereto, Compositori – DJ – Musicisti: Abir Vit (Ezzthetic agency), Udine, Doria Cantatore, Bologna, Manuel Cecchinato, Venezia, Cosimo Colazzo, Trento, Franco D’Andrea, Trento-Milano, Giustino Di Gregorio, San NicolòTE, Enjoy (Ezzthetic agency), Udine, Leo (Ezzthetic agency), Udine, Fabio Miani, Salisburgo A, Valter Prati, Milano, Tony Rusconi, Trento-Milano, Riccardo Self (Ezzthetic agency), Udine, Massimo Sebastiani, Trento, Evelina Tigliz, Trento, Critici: Francesco Berardi Bifo, Bologna, Marco Boccitto, Milano, Sonia Campagnola, Milano, Angela Vettese Milano, inserto Arti Visive “Il Sole 24Ore”, Discografici: Rocco Pandiani, Milano, Fondazioni e corsi, Anna Daneri, Fondazione Antonio Ratti, Como, Galleristi: Gino Gianuizzi, Galleria Neon, Bologna, Claudio Guenzani, Studio Guenzani, Milano, Poeti – Scrittori: Donata Zoe Zerbinati, Registi: Francesco Dal Bosco, Trento.

3. Video and film reviews

1994 Heimat A Casa, December 8, Eleven Episodes in Seven Video Evenings, curated by Acd Arte Contemporanea Documenti, Circolo Culturale Iride, Numero Civico Associazione Culturale, Marina Tomasi’s house, Rovereto TN, Heimat A Casa; directed by Edgard Reitz, screenplay: E. Reitz and P. Steinbach, production: Germany 1984, B/W color, running time: Fernweh (Nostalgia for Distant Lands) 1919, 1928, 119′; Die Mitte Der Welt (The Center of the World) 1929-1933, Weinacht Wie Noch Nie (Christmas As Never Before) 1935, 146′; Reichshohenstrasse (Road to the Reich Heights) 1938, Auf Und Davon Und Zuruk (Run Away and Returned) 1938-1939, Heimatfront (The Home Front) 1943, 172′; Die Lieben Der Soldaten (The Love of the Soldiers) 1944, Der Amerikaner (The American) 1945-1947,160′; Herrmannchen (Little Hermann), 138′; Die Stolzen Jahre (The Roaring Twenties) 1967-1969, 82′; Das Fest Der Lebenden Und Der Toten (The Festival of the Living and the Dead) 1982, 94′. 1995 Video Video: European Videoarte, Video Room, Centro S. Chiara, Trento; Other Films: The Blue Angel by J. von Sternberg; Merci la vie by B. Brie, Palazzo Piamarta, Rovereto; Meeting with Godfrey Reggio, director, screening of Anima Mundi, Koyaanisquatsi and Powaquatsi, Supercinema, Rovereto; Video Video: Avant-garde Video Music, Video Room, Centro S. Chiara, Trento; Video Video: American Video Art, Video Room, Centro S. Chiara, Trento; Other Films: Jules et Jim by F. Trouffaut, Alice in the City by W. Wenders, Salone, Palazzo Piamarta, Rovereto; Meeting with Marcello Pecchioli, writer and film critic, Cooperativa Drake, Trento; Meeting with Fabrizio Varesco, director, screening of Giorno per giorno, 1-3, by F. Varesco, Video Room, Centro S. Chiara, Trento; Other Films: The Broken Years by P. Weir, Stalker by A. Tarkowskij, Palazzo Piamarta, Rovereto; screening of Day by Day, 4-6, by F. Varesco, Video Room, Centro S. Chiara, Trento; Meeting with Enrico Ghezzi, film critic, G. Spagnolli Conference Room, Rovereto; Video Video: meeting with Giuditta Sala, video production coordinator of Videoarte Italiana, Video Room, Centro S. Chiara, Trento; Other Films: Tokyo-ga by W. Wenders; What Are Clouds by P. Paolo Pasolini, Palazzo Piamarta, Salone, Rovereto; Friday 27 October, Video Art and Contemporary Dance Theatre, selection of Videos by Godard, Greenaway, Cipri and Maresco, Viola, Ruiz de Infante, chosen and presented by Valentina Valentini, Room 5, Faculty of Letters, Trento; Monday, October 30, French Video Art and Dance Theater, from the Oriente Occidente Archive, Room 5, Faculty of Arts, Trento; Tuesday, October 31, Contemporary Video Art and Dance Theater, videos by Dario Bellini, Gianluca Codeghini, Aurelio Andrighetto, presented by Elio Grazioli, Room 5, Faculty of Arts, Trento. 1996 June 13, The Cinema of Central and Eastern Europe, video screenings:, A. Amaducci, Cathedrals of Memory, Italy, 1995, 8′, M. Arnold, Passage a l’acte, Austria, 1993, E. Bajna, The angel went to heaven, Hungary, 1993, E. Brunner Szabo, Culture Clash, Culture Flash, Austria, 1995, 1′, F. Carbone and C. Furlan, Everything we see, Italy, 1995, 14′, E. Celli and G. Tommasello, In this silence that rapidly consumes, do not overwhelm me ephemeral, Italy, 1995, 5′, Clavadescher, Hotel, Schumacher, Remix, Switzerland, 1995, 17′, P. Divjak and G. Plank, Souvenir, Austria, 1995, 3′, P. Divjak and G. Plank, Vid. Icon, Austria, 1995, 3′, P. K. Esparza, Desideria, Italy, 1995, 8′ 30”, Auditorium “R. Zandonai”, Rovereto TN; June 14, The Cinema of Central and Eastern Europe, video screenings:, R. Ferrucci, Achtung Baby! Bosnia, Italy, Slovenia, 1995, 45′, B. Fiorentini, Escape, Italy, 1995, 4′ 23”, P. Gaggiotti, Private Property, Italy, 1994;P. Gaggiotti, Rosa Rosae, Italy, 1995, 4′, M. Grzinic and A. Smid, The Butterlfy Story I, II, Slovenia, 1995, duration I part 7′ 55”, II part 9′ 37”, G. Hamos, Sex Machine, Hungary, 1995, 52′, R. Javanov, Starfuker, Croatia, 1995, 4′, Auditorium “R. Zandonai”, Rovereto TN; June 18 Cinema of Central and Eastern Europe, video screenings: R. Javanov, Kontinentio, Croatia, 1995, 3′ 55″, N. Korda, The Sand Collectors, Slovenia, 1995, 12′, M. Kovacic, Forth into the past, Slovenia, 1995, 10′, I. Kuduz, Welcome to the peak of intelligence, Croatia, 1995, 7′ 15′, E. Kluger, The Visitor, Slovenia, 1995, 27′, P. Magnin, Pas Perdus, Switzerland, 1994, O. Marceta, Innocent when you dream, Slovenia, 1995, 5′, M. Mariano, Costume Nazionale, Italy, 1995, 1′, D. Martinis, I love you, Croatia, 1995, 29′ 30”, M. Mattauschka, S.O.S. Extraterrestria, Austria, 1993; M. Neuwirth, Tibetan Memories, Austria, 1995, 23′, Riccardo Paracchini, Untitled, Italy, 1995, 5′ 30”, Auditorium “R. Zandonai”, Rovereto TN; June 21, The Cinema of Central-Eastern Europe, video projections:, G. Pianigiani, Sempre skin, Italy, 1995, 30′, P. Pieri, Shiftings, Italy, 1995, 7′ 45”, N. Prosenc, Vertikalni Horizont, Slovenia, 1994; N. Prosenc, Discus, Slovenia, 1995, 3′, C. Roth and F. Stauffenberg, Happier Days, Germany, 1994-95, Endless Loop, G. Rusinovic, Dogbites, Croatia, 1994; L. Scarabelli, Ballerina Bianca, Italy, 1995, 2′ 24”, M. Simic, Out of Memory, Slovenia, 1994; Mirko Simic and 2227, No Brains No Tumors, Slovenia, 1995, 3′, M. Spada, I Will Only Love a Dancing God, Italy, 1995, 5′, A. Stafecka, The disturbing in the count of time, Latvia, 1994, 6′ 47”, C. Viel, Short Stories, from Munich to Munich, Italy, 1995, 16′, S. Weinert, Is true or not, Austria, 1994, 6′ 30”, S. Weinert, Without CFC, Austria, 1995, 6′ 30”, N. Zonca, The Conspiracy of the Innocents, Italy, 1995, 20′, V. Zmic, Ave (Morituri te salutant), Croatia, 1994, 13′, Auditorium “R. Zandonai”, Rovereto, TN; June 25, Central and Eastern European Cinema, video screenings: J. Baljak, The crime that changed Serbia, Yugoslavia, 1995, 35′, M. Mujkic, D. Vekic, Kao Sarajevo a story in black and white, Bosnia, 1995, 20′, M. Reznicek, Sarajevo ‘94, Czech Republic, 1994, 21′, A. Sofri, The dogs and children of Sarajevo, Italy, 1994, 44′, Sarajevo Group of Authors, SAGA Programme, Bosnia, 1995, Auditorium “R. Zandonai”, Rovereto, TN; June 27, Antonio Bisaccia (Italy), film scholar of linguistic interactions between the arts, Aesthetics Department, University of Bologna, DAMS, The cinema of engraving: phenomenology of the gaze between terrestrial indistinctness and suspension of gravity in the work of Alexandre Alexeieff, meeting debate, video screening Works by A. Alexeieff, Auditorium “R. Zandonai”, Rovereto (TN); July 23, Meeting with Bruce Elder (Canada), director, introduced by Antonio Bisaccia, Video Room, Centro S. Chiara, Trento; July 23, The Book all the Dead by Bruce Elder, program 1, Breath/Light/Birth (1975) 6′, 1857 Fool’s Gold (1981) 25′, The Art of Worldly Wisdom (1979) 55′, She is Away (1975) 13′, Video Room, Centro S. Chiara, Trento; 23 July, The Book all the Dead by Bruce Elder, program 2, Illuminated Texts (1982) 176′, Sala Video, Centro S. Chiara, Trento; 24 July, The Book all the Dead by Bruce Elder, program 3, Lamentations: Part One, The Dream of the Last Historian, (1985) 3 h.15′, Sala Video, Centro S. Chiara, Trento; 25 July, The Book all the Dead by Bruce Elder, program 4, Permutation and Combinations (1976) 8′, Lamentations: Part Two, The Sublime Calculation (1985) 4 h., Sala Video, Centro S. Chiara, Trento; 26 July, The Book all the Dead by Bruce Elder, program 5, The Fugitive Gods (1988) 3 h. 30′, Video Room, Centro S. Chiara, Trento; July 27, The Book all the Dead by Bruce Elder, program 6, The Lighted Clearing (1988) 3 h. 30′, Video Room, Centro S. Chiara, Trento; July 28, The Book all the Dead by Bruce Elder, program 7, The Body and the World (1988) 3 h. 30′, Video Room, Centro S. Chiara, Trento; 29 July, The Book all the Dead by Bruce Elder, program 8, Flesh Angels (1990) 113′, Sala Video, Centro S. Chiara, Trento; 30 July, The Book all the Dead by Bruce Elder, program 9, Barbara is a Vision of Loveliness (1976) b&w, sound 8′, Newton and Me (1990) 117′, Sala video Centro S. Chiara, Trento; 31 July, The Book all the Dead by Bruce Elder, program 10, Azure Serene: Mountain, Rivers, Sea and Sky (1992) 115′, Video Room, Centro S. Chiara, Trento; August 1, The Book all the Dead by Bruce Elder, program 11, Look: We Have Come Through! (1978) 12′, Exultations (In Light of the Great Giving) (1992) 90′, Sala Video, Centro S. Chiara, Trento; 2 August, The Book all the Dead by Bruce Elder, program 12, Sweet Love Remembered (1980) 13′, Burying the Dead (Into the Light) (1993) 90′, Sala Video, Centro S. Chiara, Trento; August 3, The Book all the Dead by Bruce Elder, program 13, Trace (1980) 1′, Et resurrectus est (1994) 130′, Video Room, Centro S. Chiara, Trento; Tuesday 15 October, “Australia and Surroundings”, An Angel at My Table by Jane Campion (N.Z.) (1990), Auditorium “R. Zandonai”, Rovereto; Tuesday 22 October, “Australia and Surroundings”, Fearless by Peter Weir (AUS) (1994), Auditorium “R. Zandonai”, Rovereto; Tuesday 29 October, “Australia and Surroundings”, The Australian by Jerzy Skolimowski (AUS) (1978), Auditorium “R. Zandonai”, Rovereto; Friday 1 November, Raffaele Milani and Laura Falqui, video artists (I), present “Teatro Da Camera”:, The metaphysical juggler (1981) video, Kiss me deadly (1983) video, Towards the flame (1986) video, Invisible presences (1987) video, Ofelia (1987) video, The secret diary of Sherlock Holmes (1989) video, Auditorium “R. Zandonai”, Rovereto TN; Sunday 3 November, Meeting with Michael Snow, filmmaker (CDN), presented by Antonio Bisaccia, film critic (I), screening of The central region by M. Snow (1971), Auditorium “R. Zandonai”, Rovereto; Tuesday 5 November, “Australia and Surroundings”, Until the end of the world by Wim Wenders (D) (1991), Auditorium “R. Zandonai”, Rovereto; Saturday 9 November, “What you see is what you get”, part two, Third Biennial of Film & Video independent of the ICA, Institute of Contemporary Arts, London, Auditorium “R. Zandonai”, Rovereto; Sunday 10 November, “I Sogni di Bill Viola” (USA), “Four Songs” (1976):, 1. Junkyard Levitation, 2. Songs of Innocence, 3. The Space Between the Teeth, 4. Truth Through Mass Individuation, “The Reflecting Pool-Collected Work 1977-1980”:, The Reflecting Pool (1977-79), Moonblood (1977-79), Silent Life (1979), Ancient of Days (1979-81), Vegetable Memory (1978-80), Video room, Centro Servizi S. Chiara, Trento; Monday, November 11, “Bill Viola’s Dreams”, Chott-el Djerid (A Portrait in Light and Heat) (1979), Hatsu Yume (First Dream) (1981), Video Room, S. Chiara Service Center, Trento; Tuesday, November 12, “What you see is what you get”, part three, Third Biennial of Independent Film & Video from the ICA, “R. Zandonai” Auditorium, Rovereto; Sunday, November 17, “Bill Viola’s Dreams”, Anthem (1983), I Do Not Know what it is I am like (1986), Video Room, S. Chiara Service Center, Trento; Monday, November 18, “Bill Viola’s Dreams”, I Do Not Know what it is I am like (1987), Video Room, S. Chiara Service Center, Trento; Sunday 24th, “Bill Viola’s Dreams”, The Passing, Video Room, S. Chiara Service Centre, Trento; Monday 25th, “Bill Viola’s Dreams”, Deserts (1994), Bill Viola: Territorio De Invisiel (1994) by C. Nader-M. Dantas, Video Room, S. Chiara Service Centre, Trento; Thursday, November 21, “Bill Creston: Films 1976-1996,” Meeting with Bill Creston, filmmaker (USA), screening of: Open 7 days a week, 24 hours a day, 1976, sound, color, 15′, Six short films, 1976, sound, color, 10′, Runner, 1981, sound, color, 18′, I saw where you were last night, 1984, sound, color, 14′, Coupons, sound, color, 1989, 7′, Taxi, taxi, 1992, sound, b/w and color, 15′, Duets, sound, color, 1996, 5′ *, Lunch Hour, sound, color, 1996, 5′ *Auditorium “R. Zandonai”, Rovereto; Thursday, November 21, “Old & New Masters of Super-8” “Old & New Masters of Super-8,” Touring Festival 1996 from The Media Loft in New York, presentation by B. Creston and B. Rosenthal, screening of: Stan Brakhage Trio (Trio), silent, color, 1976, 8′, Desert movie (Desert movie), silent, color, 1976, 8′, Jim Hubbard Lars, Lars, Lars (from homosexual desire in Minnesota) (Lars, Lars, Lars (from homosexual desire in Minnesota)) (Lars, Lars, Lars (from homosexual desire in Minnesota)), sound, 1985, 3′, Steve Bull Farmwork (Farmwork), sound, color, 1985, 5′, Anne Charlotte Robertson Apologies (I Apologize), sound, color, 15′, Jeff Rappapport Carnival of Death (Carnival of Death), sound, color, 1995, 5′, Lisa Hammer Jorinda and Joringel (Iorinda and Ioringel), sound, b/w, 18′, Daniel Brantly Old country church (Vecchia chiesa di campagna), sound, color, 3′, Saul Levine Is as is (è come è), silent, color, 1991, 3′, Zee not zed (Z (American) not z (English)), sound, color, 1992, 3′, Robert C. Morgan Turkish Bath (IV) (Bagno turco (IV)), silent, b/w, 1976, 4′, Barbara Rosenthal Shadow box (Scatola d’ombra), sound, b/w and color, 1992, 2′, Pregnancy Dreams (Sogni fecondi), sound, b/w and color, 1979, 4′, Pam Cray Penis puppets (Phallic Puppets), sound, color, 9′, Arleen Schloss Belize (Belize), sound, color, 1982, 5′, Luther Price Clown, (Clown), sound, color, 13′, Auditorium “R. Zandonai”, Rovereto; Friday, November 22, “Barbara Rosenthal in video: Anthology of shorts” Meeting with Barbara Rosenthal, filmmaker (USA), screening of: Pregnancy dreams, b/w and color, 1979, 2′, Shadow boxes, color, 1992, 20′, “Fingernails and other shorts,” color, 1988, 54′: Fingernails, Semaphore poems, I can talk burp talk, Nonsense conversation, At Carol’s house, Wrapping pacages, Spinning top/Jack-in-the-box/Shape cube, Quotation from Paul Gauguin, Lying diary/Provocation Cards (Provocative Cards), The screen will be black and silent for 10 seconds, (The screen will be dark and silent for 10 seconds), (The news wall), (News to fit the family), (Society), (How much does the monkey remember), (Curio shop), (I’ve got the world in the palm of my hand), (Something from Oliver North), “Colors and auras and other shorts”, b/w and color, 1986, 30′, Rock-a-bye Rock Lobster, (Other shorts), Auditorium “R. Zandonai”, Rovereto; Friday, November 22, “Old & New Masters of Super-8” “Old & New Masters of Super-8,” Touring Festival 1996 from The Media Loft in New York, presentation by B. Creston and B. Rosenthal: Danny Plotnick Dumbass from dundass, sound, color, 7′, Michael Dwyer Motorcyclops, sound, color, 5′, Amanda Katz Posner Death of feeling, b/w and color, 1995, 8′, Reginald Isto NYC Symphony, sound, b/w 1995 10′, Steve Bull Haiku Vision, sound, color, 1992, 7′, Phil Solomon TBA, sound, color, 1989, 14′, The exquisite hour, sound, color, 1989, 14′, Amanda Cole The Strays (I randagi), sound, color, 17′, Auditorium “R. Zandonai”, Rovereto. 1997 Monday, May 19, Polifunzionale, Trento, “Mutazioni” video review, M. Arnold, Petra Karina Esparza, Radislav Jovanov, Igor Kuduz, P. Magnin, Oliver Marceta, Michele Mariano, Dalibor Martinis, Manfred Neuwirth, Riccardo Paracchini, Barbara Giordani, Giovanni Pianigiani, Filippo Sapuppo, Romano Vallasciani, Piero Pieri, Cristopher Roth, G. Rusinovc, Vilnius Academy Selection, Eva Brunner Szabo, Andrea Clavadetscher, Martin Holder, Eric Schumacher, Paul Martin Djviak, Georg Plank, Marina Spada; Tuesday, May 20, Polifunzionale, Trento, “Mutazioni” video review; Wednesday, May 21, Polifunzionale, Trento, “Mutazioni” video review; Thursday, May 22, Polifunzionale, Trento, “Mutazioni” video review; Thursday, May 29, Polifunzionale, Trento, “Mutazioni” video review; Tuesday, June 3, Polifunzionale, Trento, “The video work of Liliana Moro,” artist, Milan I, video screening of Aristocratica, La solida avventura, Tolleranza, Blinki; Thursday, June 5, Room 5, Faculty of Letters, Trento, Meeting with Fernaldo Di Gianmatteo, film historian and critic, and Cristina Bragaglia, film historian, Bologna I, Presentation of the work Nuovo Dizionario Universale del Cinema, by Fernaldo Di Gianmatteo created with Cristina Bragaglia, Editori Riuniti, introduction by Antonio Bisaccia., Screening of the films by Norman McLaren, Scotland-Canada, Lines-Horizontal 5′ 58” 1961, Mosaic 5′ 27” 1965, New York Lightboard-an excerpt 3′ 21” 1961, Begone Dull Care 7′ 48”, Pas de deux 13’22” 1967, Blinkity Blank 5’15” 1955, Synchromy 7’27” 1971; Monday, June 9, Polifunzionale, Trento, “Festival Valdarno Cinema Fedic ’97” video selection:, Sille by Tommaso Ortino, 26′ 1996, Work Notes-Fairy Tales in the Mirror and Pinocchio by Stefano Bessoni 13′ 1996, Doom by Marco Pozzi, 8′ 1996, Studente modello by A. Riccio and Ruggero Di Paola 23′ 1996, Art Movie No. 3 by Renato Milano 4′ 1996, Second Floor by Ruggero Di Paola; Tuesday, June 10, Polifunzionale, Trento, “Festival Valdarno Cinema Fedic ’97” video selection:, Piccole epifanie berlinesi by Giorgio E. S. Ghisolfi 40′ 1996, Nick’s film by Gabriele Rifilato, 34′ 1996, A rumble of thunder crumbles the height of the night by Annamaria Murdocca 14′ 1996; Monday 16 June, Sala Filarmonica Rovereto, “Festival Valdarno Cinema Fedic ’97”, Paolo Micalizzi film critic and artistic director of the festival, Ferrara I, presentation of the “Festival Valdarno Cinema Fedic ’97”, Introduced by Antonio Bisaccia film critic, Screening of One Day, One Day, One Night by Cosimo Milone 90′ 1996, Present in the room: the director Cosimo Milone and the director of photography Adolfo Troiani; Wednesday 18 June, Sala Filarmonica, Rovereto, “Festival Valdarno Cinema Fedic ’97” video selection:, Death of a Pacifist by Giancarlo Bocchi 35′ 1996, Tweety and Sylvester (a painful story) by Giorgio B. Borgazzi 12′ 1996, Like a Day by Alessandro Carpentieri 40′ 1996; Homage to Marguerite Duras, films, screenplays, biographies in the original language, Sala Filarmonica, Rovereto, from Tuesday 4/11 to Wednesday 12/11, Tuesday 4 The films of Marguerite Duras, Nathalie Granger by Marguerite Duras, 1972, 85′; Wednesday 5 The films of Marguerite Duras, India Song by Marguerite Duras, 1975, 120′; Thursday 6 The films of Marguerite Duras, Le camion by Marguerite Duras, 1977, 120′; Friday 7, The films of Marguerite Duras, Agatha and the unlimited lectures by Marguerite Duras, 1980, 95′; Saturday 8, The films of Marguerite Duras, L’homme Atlantique by Marguerite Duras, 1981, 45′, Les enfants by Marguerite Duras, 1984, 94′; Sunday 9, The prefaces and afterwords by Marguerite Duras, La Dame des Yvelines by Jérôme Beaujour and Jean Mascolo, interview by Dominique Noguez, 1984, 59′; Sunday 9, The screenplays of Marguerite Duras, Moderato Cantabile by Peter Brook, 1960, 72′; Monday 10, The prefaces and afterwords by Marguerite Duras, La Caverne noire suivi de Work and Words by Jérôme Beaujour and Jean Mascolo, interview by Dominique Noguez, 1984, 57′; Monday 10, The screenplays of Marguerite Duras, Une aussi longue absence by Henri Colpi, 1961, 90′; Tuesday 11, The prefaces and afterwords by Marguerite Duras, La Classe de la violence by Jérôme Beaujour and Jean Mascolo, interview by Dominique Noguez, 1984, 48′; Tuesday 11, Films about Marguerite Duras, La mort du jeune aviateur anglais by Benoit Jacquot, 1993, 39′, Ecrire by Benoit Jacquot, 1993, 48′; Wednesday 12, The prefaces and afterwords by Marguerite Duras, La Couleur des mots by Jérôme Beaujour and Jean Mascolo, interview by Dominique Noguez, 1984, 63′; Wednesday 12, The prefaces and afterwords by Marguerite Duras, Le Cimetière anglais by Jérôme Beaujour and Jean Mascolo, interview by Dominique Noguez, 1984, 48′; Materia Prima, Video Art Review from Care Of, Polifunzionale, Trento, Thursday 13/11, Massimo Bartolini, Klap, 1994, 1’20”; Marco Bragaglia, Mothra – Donnez l’esprit, 1996, 8′, Manuela Cirino, Le cose, 1996, 3′; Paola di Bello, Video-Stadio, 1997, 7′, Formanek Mark, Videospiele, 1996, 16′; Marcello Maloberti, Si dice …, 1997, 4′, AAVV, Barlow, Benvenuto, Berti, Botto & Bruno, Carocci, Coppes, Crociani, Gligorov, Henderson, Komen, Kozaris, Lanzini, Lloyd, Levita, Mazzitelli, Pivi, Provatas, Sher, T20, Tegala, Tesi, Toshiya, Vedova Mazzei, Vorpsi, Yass, June Trailers, 1996, 60′; Friday 14/11, Raw Material: Dimitris Kozaris, Wonders of Italy, 1993, 8′, Orazio Foti-Filippo La Vaccara, Just Married, 1995, 7′, Dario Bellini, September, 1993, 5′; Brigata Es, Es+ Città+Vesuvio, 1995, 12′, Maurizio Donzelli, The Most Handsome One Was Tied Up, 1995, 15′; Meri Gorni, Nadym, 1996, 2′, Interzone: Galluzzi, Livera, Prova-Nadym, 1996, 2′; Giovanni Surace, Benutzen, 1997, 5′, Vaglieri-Voltolina, Together You Do Dangerous Things, 1995, 5′; Vedova Mazzei, Annunciation, 1994, 3′; Robert Smithson, Spiral Jetty, 1970, 35′; Bert Theis, O Potemkin Lock, 2’30”, The Third Day, 3’45”, Marossi-Biagini, Shakesbear, 1997, 8′; Bondage; Roberto Cascone, Blitz-Invitation to the XII Quadriennale, 1996, 8. 1998 AAVV It is a modest proposal, a review of video art. 200 productions from Italy and its surroundings, Exhibition Hall in via Malpaga, Trento, 31/10-04/11.

1994 Heimat A Casa, 8 Dicembre, Undici Episodi In Sette Serate Video, a cura di Acd Arte Contemporanea Documenti, Circolo Culturale Iride, Numero Civico Associazione Culturale, casa di Marina Tomasi, Rovereto TN, Heimat A Casa; regia di Edgard Reitz, sceneggiatura: E. Reitz e P. Steinbach, produzione: Germania 1984, B/N colore, durata: Fernweh (Nostalgia Di Terre Lontane) 1919, 1928, 119′; Die Mitte Der Welt (Il Centro Del Mondo) 1929-1933, Weinacht Wie Noch Nie (Natale Come Mai Fino Allora) 1935, 146′; Reichshohenstrasse (Via Delle Alture Del Reich) 1938, Auf Und Davon Und Zuruk (Scappato Via E Ritornato) 1938-1939, Heimatfront (Il Fronte Interno) 1943, 172′; Die Lieben Der Soldaten (L’amore Dei Soldati) 1944, Der Amerikaner (L’americano) 1945-1947,160′; Herrmannchen (Il Piccolo Hermann), 138′; Die Stolzen Jahre (Gli Anni Ruggenti) 1967-1969, 82′; Das Fest Der Lebenden Und Der Toten (La Festa Dei Vivi E Dei Morti) 1982, 94′. 1995 Video Video: Videoarte Europea, Sala Video, Centro S. Chiara, Trento; Altri Film: L’angelo azzurro di J. von Sternberg Merci la vie di B. Brie, Palazzo Piamarta, Rovereto; Incontro con Godfrey Reggio, regista, proiezione di Anima Mundi, Koyaanisquatsi e Powaquatsi, Supercinema, Rovereto; Video Video: Videomusica d’avanguardia, Sala Video, Centro S. Chiara, Trento; Video Video: Videoarte Americana, Sala video Centro S. Chiara, Trento; Altri Film: Jules et Jim di F. Trouffaut, Alice nella città di W. Wenders, Salone, Palazzo Piamarta, Rovereto; Incontro con Marcello Pecchioli, scrittore e critico cinematografico, Cooperativa Drake, Trento; Incontro con Fabrizio Varesco, regista, proiezione di Giorno per giorno, 1-3, di F. Varesco, Sala Video, Centro S. Chiara, Trento; Altri Film: Gli anni spezzati di P. Weir, Stalker di A. Tarkowskij, Palazzo Piamarta, Rovereto; proiezione di Giorno per Giorno, 4-6, di F. Varesco, Sala Video, Centro S. Chiara, Trento; Incontro con Enrico Ghezzi, critico cinematografico, Sala Convegni G. Spagnolli, Rovereto; Video Video: incontro con Giuditta Sala, coordinatrice produzione video Videoarte Italiana, Sala Video, Centro S. Chiara, Trento; Altri Film: Tokio-ga di W. WendersChe cosa sono le nuvole di P. Paolo Pasolini Palazzo Piamarta, Salone, Rovereto; Venerdì 27 ottobre, Video Arte e Teatro Danza Contemporaneo, selezione Video di Godard, Greenaway, Cipri e Maresco, Viola, Ruiz de Infante, scelti e presentati da Valentina Valentini, Aula 5, Facoltà di Lettere, Trento; Lunedì 30 ottobre, Video Arte e teatro danza francesi, dall’ Archivio Oriente Occidente, Aula 5 Facoltà di Lettere, Trento; Martedì 31 ottobre, Video Arte e Teatro Danza Contemporaneo, video di Dario Bellini Gianluca Codeghini Aurelio Andrighetto, presentati da Elio Grazioli, Aula 5, Facoltà di Lettere, Trento. 1996 13 giugno, Il Cinema dell’Europa centro-orientale, proiezioni video:, A. Amaducci, Cattedrali della Memoria, Italia, 1995, 8′, M. Arnold, Passage a l’acte, Austria, 1993, E. Bajna, The angel went to heaven, Ungheria, 1993, E. Brunner Szabo, Culture Clash, Cultura Flash, Austria, 1995, 1′, F. Carbone e C. Furlan, Tutto ciò che vediamo, Italia, 1995, 14′, E. Celli e G. Tommasello, In questo silenzio che rapido consuma, non mi travolgere effimero, Italia, 1995, 5′, Clavadescher, Hotel, Schumacher, Remix, Svizzera, 1995, 17′, P. Divjak e G. Plank, Souvenir, Austria, 1995, 3′, P. Divjak e G. Plank, Vid. Icon, Austria, 1995, 3′, P. K. Esparza, Desideria, Italia, 1995, 8′ 30”, Auditorium “R. Zandonai”, Rovereto TN; 14 giugno, Il Cinema dell’Europa centro-orientale, proiezioni video:, R. Ferrucci, Achtung Baby! Bosnia, Italia, Slovenia, 1995, 45′, B. Fiorentini, Escape, Italia, 1995, 4′ 23”, P. Gaggiotti, Proprietà Privata, Italia, 1994;P. Gaggiotti, Rosa Rosae, Italia, 1995, 4′, M. Grzinic e A. Smid, The Butterlfy Story I, II, Slovenia, 1995, durata I parte 7′ 55”, II parte 9′ 37”, G. Hamos, Sex Machine, Ungheria, 1995, 52′, R. Javanov, Starfuker, Croazia, 1995, 4′, Auditorium “R. Zandonai”, Rovereto TN; 18 giugno Il Cinema dell’Europa centro-orientale, proiezioni video:, R. Javanov, Kontinentio, Croazia, 1995, 3′ 55”, N. Korda, The Sand Collectors, Slovenia, 1995, 12′, M. Kovacic, Forth into the past, Slovenia, 1995, 10′, I. Kuduz, Welcome to the peak of intelligence, Croazia, 1995, 7′ 15”, E. Kluger, The Visitor, Slovenia, 1995, 27′, P. Magnin, Pas Perdus, Svizzera, 1994, O. Marceta, Innocent when you dream, Slovenia, 1995, 5′, M. Mariano, Costume Nazionale, Italia, 1995, 1′, D. Martinis, I love you, Croazia, 1995, 29′ 30”, M. Mattauschka, S.O.S. Extraterrestria, Austria, 1993; M. Neuwirth, Tibetische Erinnerungen, Austria, 1995, 23′, Riccardo Paracchini, Senza Titolo, Italia, 1995, 5′ 30”, Auditorium “R. Zandonai”, Rovereto TN; 21 giugno, Il Cinema dell’Europa centro-orientale, proiezioni video:, G. Pianigiani, Sempre skin, Italia, 1995, 30′, P. Pieri, Shiftings, Italia, 1995, 7′ 45”, N. Prosenc, Vertikalni Horizont, Slovenia, 1994; N. Prosenc, Discus, Slovenia, 1995, 3′, C. Roth e F. Stauffenberg, Happier Days, Germania, 1994-95, Endless Loop, G. Rusinovic, Dogbites, Croazia, 1994; L. Scarabelli, Ballerina Bianca, Italia, 1995, 2′ 24”, M. Simic, Out of Memory, Slovenia, 1994; Mirko Simic e 2227, No Brains No Tumors, Slovenia, 1995, 3′, M. Spada, Amerò solo un Dio che danza, Italia, 1995, 5′, A. Stafecka, The disturbing in the count of time, Lettonia, 1994, 6′ 47”, C. Viel, Short Stories, da Monaco a Monaco, Italia, 1995, 16′, S. Weinert, Is true or not, Austria, 1994, 6′ 30”, S. Weinert, Without CFC, Austria, 1995, 6′ 30”, N. Zonca, La congiura degli innocenti, Italia, 1995, 20′, V. Zmic, Ave (Morituri te salutant), Croazia, 1994, 13′, Auditorium “R. Zandonai”, Rovereto, TN; 25 giugno, Il Cinema dell’Europa centro-orientale, proiezioni video:, J. Baljak, The crime that changed Serbia, Jugoslavia, 1995, 35′, M. Mujkic, D. Vekic, Kao Sarajevo a story in black and white, Bosnia, 1995, 20′, M. Reznicek, Sarajevo ‘94, Rep. Ceca, 1994, 21′, A. Sofri, I cani e i bambini di Sarajevo, Italia, 1994, 44′, Sarajevo Group of Authors, Programma SAGA, Bosnia, 1995, Auditorium “R. Zandonai”, Rovereto, TN; 27 giugno, Antonio Bisaccia (Italia), studioso cinematografico di interazioni Linguistiche, tra le arti, Insegnamento di Estetica Università di Bologna DAMS, Il cinema dì incisione: fenomenologia dello sguardo fra indistinto terrestre, e sospensione della gravità nell’opera di Alexandre Alexeieff, incontro dibattito, proiezione video Opere di A. Alexeieff, Auditorium “R. Zandonai”, Rovereto (TN); 23 luglio, Incontro con Bruce Elder (Canada), regista, introduce Antonio Bisaccia, Sala Video, Centro S. Chiara, Trento; 23 luglio, The Book all the Dead di Bruce Elder, program 1, Breath/Light/Birth (1975) 6′, 1857 Fool’s Gold (1981) 25′, The Art of Worldly Wisdom (1979) 55′, She is Away (1975) 13′, Sala Video, Centro S. Chiara, Trento; 23 luglio, The Book all the Dead di Bruce Elder, program 2, Illuminated Texts (1982) 176′, Sala Video, Centro S. Chiara, Trento; 24 luglio, The Book all the Dead di Bruce Elder, program 3, Lamentations: Part One, The Dream of the Last Historian, (1985) 3 h.15′, Sala Video, Centro S. Chiara, Trento; 25 luglio, The Book all the Dead di Bruce Elder, program 4, Permutation and Combinations (1976) 8′, Lamentations: Part Two, The Sublime Calculation (1985) 4 h., Sala Video, Centro S. Chiara, Trento;26 luglio, The Book all the Dead di Bruce Elder, program 5, The Fugitive Gods (1988) 3 h. 30′, Sala Video, Centro S. Chiara, Trento; 27 luglio, The Book all the Dead di Bruce Elder, program 6, The Lighted Clearing (1988) 3 h. 30′, Sala Video, Centro S. Chiara, Trento; 28 luglio, The Book all the Dead di Bruce Elder, program 7, The Body and the World (1988) 3 h. 30′, Sala Video, Centro S. Chiara, Trento; 29 luglio, The Book all the Dead di Bruce Elder, program 8, Flesh Angels (1990) 113′, Sala Video, Centro S. Chiara, Trento; 30 luglio, The Book all the Dead di Bruce Elder, program 9, Barbara is a Vision of Loveliness (1976) b&w, sound 8′, Newton and Me (1990) 117′, Sala video Centro S. Chiara, Trento; 31 luglio, The Book all the Dead di Bruce Elder, program 10, Azure Serene: Mountain, Rivers, Sea and Sky (1992) 115′, Sala Video, Centro S. Chiara, Trento; 1 agosto, The Book all the Dead di Bruce Elder, program 11, Look: We Have Come Through! (1978) 12′, Exultations (In Light of the Great Giving) (1992) 90′, Sala Video, Centro S. Chiara, Trento; 2 agosto, The Book all the Dead di Bruce Elder, program 12, Sweet Love Remembered (1980) 13′, Burying the Dead (Into the Light) (1993) 90′, Sala Video, Centro S. Chiara, Trento; 3 agosto, The Book all the Dead di Bruce Elder, program 13, Trace (1980) 1′, Et resurrectus est (1994) 130′, Sala Video, Centro S. Chiara, Trento; Martedì 15 ottobre, “Australia e Dintorni”, Un angelo alla mia tavola di Jane Campion (N.Z.) (1990), Auditorium “R. Zandonai”, Rovereto; Martedì 22 ottobre, “Australia e Dintorni”, Fearless – Senza Paura di Peter Weir (AUS) (1994), Auditorium “R. Zandonai”, Rovereto; Martedì 29 ottobre, “Australia e Dintorni”, L’australiano di Jerzy Skolimowski (AUS) (1978), Auditorium “R. Zandonai”, Rovereto; Venerdì 1 novembre, Raffaele Milani e Laura Falqui, video artisti (I), presentano “Teatro Da Camera”:, Il giocoliere metafisico (1981) video, Kiss me deadly (1983) video, Vers la flamme (1986) video, Presenze invisibili (1987) video, Ofelia (1987) video, Il diario segreto di Sherlock Holmes (1989) video, Auditorium “R. Zandonai”, Rovereto TN; Domenica 3 novembre, Incontro con Michael Snow, filmmaker (CDN), presenta Antonio Bisaccia, critico cinematografico (I), proiezione diLa regione centrale di M. Snow (1971), Auditorium “R. Zandonai”, Rovereto; Martedì 5 novembre, “Australia e Dintorni”, Fino alla fine del mondo di Wim Wenders (D) (1991), Auditorium “R. Zandonai”, Rovereto; Sabato 9 novembre, “What you see is what you get”, parte seconda, Terza Biennale del Film & Video indipendente dall’ICA, Institute of Contemporary Arts, London, Auditorium “R. Zandonai”, Rovereto; Domenica 10 novembre, “I Sogni di Bill Viola” (USA), “Four Songs” (1976):, 1. Junkyard Levitation, 2. Songs of Innocence, 3. The Space Between the Teeth, 4. Truth Through Mass Individuation, “The Reflecting Pool-Collected Work 1977-1980”:, The Reflecting Pool (1977-79), Moonblood (1977-79), Silent Life (1979), Ancient of Days (1979-81), Vegetable Memory (1978-80), Sala video, Centro Servizi S. Chiara, Trento; Lunedì 11 novembre, “I Sogni di Bill Viola”, Chott-el Djerid (A Portrait in Light and Heat) (1979), Hatsu Yume(First Dream) (1981), Sala video, Centro Servizi S. Chiara, Trento; Martedì 12 novembre, “What you see is what you get”, parte terza, Terza Biennale del Film & Video indipendente dall’ICA, Auditorium “R. Zandonai”, Rovererto; Domenica 17 novembre, “I Sogni di Bill Viola”, Anthem (1983), I Do Not Know what it is I am like (1986), Sala video, Centro Servizi S. Chiara, Trento; Lunedì 18, “I Sogni di Bill Viola”, I Do Not Know what it is I am like (1987), Sala video, Centro Servizi S. Chiara, Trento; Domenica 24, “I Sogni di Bill Viola”, The Passing, Sala video, Centro Servizi S. Chiara, Trento; Lunedì 25, “I Sogni di Bill Viola”, Deserts (1994), Bill Viola: Territorio De Invisiel (1994) di C. Nader-M. Dantas, Sala video, Centro Servizi S. Chiara, Trento; Giovedì 21 novembre, “Bill Creston: Films 1976-1996”, Incontro con Bill Creston, filmmaker (USA), proiezione di: Open 7 days a week, 24 hours a day (Aperto 7 giorni alla settimana, 24 ore al giorno), 1976, sonoro, colore, 15′, Six short films (Sei brevi film), 1976, sonoro, colore, 10′, Runner (Il corridore), 1981, sonoro, colore, 18′, I saw where you was last night (Ho visto dov’eri l’altra notte), 1984, sonoro, colore, 14′, Coupons (Cedole, Tagliandi), sonoro, colore, 1989, 7′, Taxi, taxi (Taxi, taxi), 1992, sonoro, b/n e colore, 15′, Duets (Duetti), sonoro, colore,1996, 5′ *, Lunch Hour (Ora di pranzo), sonoro, colore, 1996, 5′ *Auditorium “R. Zandonai”, Rovereto; Giovedì 21 novembre, “Old & New Masters of Super-8” “Vecchi e nuovi maestri del Super-8”, Touring Festival 1996 da The Media Loft di New York, presentazione di B. Creston e B. Rosenthal, proiezione di: Stan Brakhage Trio (Trio), muto, colore, 1976, 8′, Desert movie (Deserto), muto, colore, 1976, 8′, Jim Hubbard Lars, Lars, Lars (from homosexual desire in Minnesota) (Lars, Lars, Lars (Desiderio omosessuale nel M.)), sonoro, 1985, 3′, Steve Bull Farmwork (Lavori di campagna), sonoro, colore, 1985, 5′, Anne Charlotte Robertson Apologies (Mi scuso), sonoro, colore, 15′, Jeff Rappapport Carnival of death (Il carnevale della morte), sonoro, colore, 1995, 5′, Lisa Hammer Jorinda and Joringel (Iorinda e Ioringhello), sonoro, b/n, 18′, Daniel Brantly Old country church (Vecchia chiesa di campagna), sonoro, colore, 3′, Saul Levine Is as is (è come è), muto, colore, 1991, 3′, Zee not zed (Z (americano) non z (inglese)), sonoro, colore, 1992, 3′, Robert C. Morgan Turkish Bath (IV) (Bagno turco(IV)), muto, b/n, 1976, 4′, Barbara Rosenthal Shadow box (Scatola d’ombra), sonoro, b/n e colore, 1992, 2′, Pregnancy Dreams (Sogni fecondi), sonoro, b/n e colore, 1979, 4′, Pam Cray Penis puppets (Pupazzi fallici), sonoro, colore, 9′, Arleen Schloss Belize (Belize), sonoro, colore, 1982, 5′, Luther Price Clown, (Pagliaccio), sonoro, colore, 13′, Auditorium “R. Zandonai”, Rovereto; Venerdì 22 novembre, “Barbara Rosenthal in video: Anthology of shorts” Incontro con Barbara Rosenthal, filmmaker (USA), proiezione di: Pregnancy dreams (Sogni fecondi), b/n e colore, 1979, 2′, Shadow boxes (Scatole d’ombra), colore, 1992, 20′, “Fingernails and other shorts” (Unghie e altri shorts), colore, 1988, 54′: Fingernails (Unghie), Semaphore poems (Poesie semaforiche), I can talk burp talk (Non riesco a … hic…parlare), Nonsense conversation (Conversazione assurda), At Carol’s house (A casa di Carol), Wrapping pacages (Imballaggi), Spinning top/Jack-in-the-box/Shape cube (Giocattoli), Quotation from Paul Gauguin (Citazione da Paul Gauguin), Lying diary/Provocation Cards (Diario menzognero/Carte provocatorie), The screen will be black and silent for 10 seconds, (Lo schermo sarà scuro e muto per 10 secondi), News wall (Il muro delle notizie), News to fit the family (Notizie su misura per la famiglia), Society (Società), How much does the monkey remember (Quante cose ricorda la scimmia), Curio shop (Negozio di curiosità), I’ve got the world in the palm of my hand (Ho il mondo sul palmo della mano), Something from Oliver North (Qualcosa da parte di Oliver North), “Colors and auras and other shorts” (Colori aure e altri cortometraggi), b/n e colore, 1986, 30′, Rock-a-bye Rock Lobster, Other shorts (Altri cortometraggi), Auditorium “R. Zandonai”, Rovereto; Venerdì 22 novembre, “Old & New Masters of Super-8” “Vecchi e nuovi maestri del Super-8”, Touring Festival 1996 da The Media Loft di New York, presentazione di B. Creston e B. Rosenthal: Danny Plotnick Dumbass from dundass, sonoro, colore, 7′, Michael Dwyer Motorcyclops (Motociclopi), sonoro, colore, 5′, Amanda Katz Posner Death of feeling (Morte di un sentimento), b/n e colore, 1995, 8′, Reginald Isto NYC Synphony (Sinfonia di New York City) sonoro, b/n 1995 10′, Steve Bull Haiku Vision (Visione haiku) sonoro, colore, 1992, 7′, Phil Solomon TBA, sonoro, colore, 1989, 14′, The exquisite hour (L’ora deliziosa), sonoro, colore, 1989, 14′,Amanda Cole The strays (I randagi), sonoro, colore, 17′, Auditorium “R. Zandonai”, Rovereto. 1997 Lunedì 19 maggio, Polifunzionale, Trento, “Mutazioni” rassegna video, M. Arnold, Petra Karina Esparza, Radislav Jovanov, Igor Kuduz, P. Magnin, Oliver Marceta, Michele Mariano, Dalibor Martinis, Manfred Neuwirth, Riccardo Paracchini, Barbara Giordani, Giovanni Pianigiani, Filippo Sapuppo, Romano Vallasciani, Piero Pieri, Cristopher Roth, G. Rusinovc, Selezione Accademia di Vilnius, Eva Brunner Szabo, Andrea Clavadetscher, Martin Holder, Eric Schumacher, Paul Martin Djviak, Georg Plank, Marina Spada; Martedì 20 maggio, Polifunzionale, Trento, “Mutazioni” rassegna video; Mercoledì 21 maggio, Polifunzionale, Trento, “Mutazioni” rassegna video; Giovedì 22 maggio, Polifunzionale, Trento, “Mutazioni” rassegna video; Giovedì 29 maggio, Polifunzionale, Trento, “Mutazioni” Rassegna Video; Martedi 3 giugno, Polifunzionale, Trento, “L’opera video di Liliana Moro”, artista, Milano I, Proiezione video di Aristocratica, La solida avventura, Tolleranza, Blinki; giovedì 5 giugno, Aula 5 Facoltà di Lettere, Trento, Incontro con Fernaldo Di Gianmatteo, storico e critico cinematografico, e Cristina Bragaglia, storica del cinema, Bologna I, Presentazione dell’opera Nuovo dizionario Universale del Cinema, di Fernaldo Di Gianmatteo realizzata con Cristina Bragaglia, Editori Riuniti, introduzione di Antonio Bisaccia., Proiezione dei film di Norman McLaren,Scotland-Canada, Lines-Horizontal 5′ 58” 1961, Mosaic 5′ 27” 1965, New York Lightboard-an excerpt 3′ 21” 1961, Begone Dull Care 7′ 48”, Pas de deux 13’22” 1967, Blinkity Blank 5’15” 1955, Synchromy 7’27” 1971; Lunedì 9 giugno, Polifunzionale, Trento, “Festival Valdarno Cinema Fedic ’97” selezione video:, Sille di Tommaso Ortino, 26′ 1996, Appunti di lavoro-favole allo specchio e Pinocchio di Stefano Bessoni 13′ 1996, Doom di Marco Pozzi, 8′ 1996, Studente modello di A. Riccio e Ruggero Di Paola 23′ 1996, Art movie n. 3 di Renato Milano 4′ 1996, Secondo piano di Ruggero Di Paola; Martedì 10 giugno, Polifunzionale, Trento, “Festival Valdarno Cinema Fedic ’97” selezione video:, Piccole epifanie berlinesi di Giorgio E. S. Ghisolfi 40′ 1996, Nick’s film di Gabriele Rifilato, 34′ 1996, Un brontolio di tuono sgretola l’altezza della notte di Annamaria Murdocca 14′ 1996; Lunedì 16 giugno, Sala Filarmonica Rovereto, “Festival Valdarno Cinema Fedic ’97”, Paolo Micalizzi critico del cinema e direttore artistico del festival, Ferrara I, presentazione del “Festival Valdarno Cinema Fedic ’97”, Introduce Antonio Bisaccia critico cinematografico, Proiezione di Un giorno, un giorno, una notte di Cosimo Milone 90′ 1996, Presenti in sala: il regista Cosimo Milone e il direttore della fotografia Adolfo Troiani; Mercoledì18 giugno Sala Filarmonica, Rovereto, “Festival Valdarno Cinema Fedic ’97” selezione video:, Morte di un pacifista di Giancarlo Bocchi 35′ 1996, Titti e silvestro (una storia penosa) di Giorgio B. Borgazzi 12′ 1996, Come una giornata di Alessandro Carpentieri 40′ 1996; Omaggio a Marguerite Duras, film, sceneggiature, biografie in lingua originale, Sala Filarmonica, Rovereto, da Martedì 4/11 a Mercoledì 12/11, Martedì 4 I film di Marguerite Duras, Nathalie Granger di Marguerite Duras, 1972, 85′; Mercoledì 5 I film di Marguerite Duras, India Song di Marguerite Duras, 1975, 120′; Giovedì 6 I film di Marguerite Duras, Le camion di Marguerite Duras, 1977, 120′; Venerdì 7,I film di Marguerite Duras, Agatha et les lectures illimitées di Marguerite Duras, 1980, 95′; Sabato 8, I film di Marguerite Duras, L’homme Atlantique di Marguerite Duras, 1981, 45′, Les enfants di Marguerite Duras, 1984, 94′; Domenica 9, Le prefazioni e postfazioni di Marguerite Duras, La Dame des Yvelines di Jérôme Beaujour e Jean Mascolo, intervista di Dominique Noguez, 1984, 59′; Domenica 9, Le sceneggiature di Marguerite Duras, Moderato Cantabile di Peter Brook, 1960, 72′; Lunedì 10, Le prefazioni e postfazioni di Marguerite Duras, La Caverne noire suivi de Work and Words di Jérôme Beaujour e Jean Mascolo, intervista di Dominique Noguez, 1984, 57′; Lunedì 10, Le sceneggiature di Marguerite Duras, Une aussi longue absence di Henri Colpi, 1961, 90′; Martedì 11, Le prefazioni e postfazioni di Marguerite Duras, La Classe de la violence di di Jérôme Beaujour e Jean Mascolo, intervista di Dominique Noguez, 1984, 48′; Martedì 11, I Film su Marguerite Duras, La mort du jeune aviateur anglais di Benoit Jacquot, 1993, 39′, Ecrire di Benoit Jacquot, 1993, 48′; Mercoledì 12, Le prefazioni e postfazioni di Marguerite Duras, La Couleur des mots di di Jérôme Beaujour e Jean Mascolo, intervista di Dominique Noguez, 1984, 63′; Mercoledì 12, Le prefazioni e postfazioni di Marguerite Duras, Le Cimetière anglais di di Jérôme Beaujour e Jean Mascolo, intervista di Dominique Noguez, 1984, 48′; Materia Prima, Rassegna di Video Arte da Care Of, Polifunzionale, Trento, Giovedì 13/11, Massimo Bartolini, Klap, 1994, 1’20”; Marco Bragaglia, Mothra – Donnez l’esprit, 1996, 8′, Manuela Cirino, Le cose, 1996, 3′; Paola di Bello, Video-Stadio, 1997, 7′, Formanek Mark, Videospiele, 1996, 16′; Marcello Maloberti, Si dice …, 1997, 4′, AAVV, Barlow, Benvenuto, Berti, Botto & Bruno, Carocci, Coppes, Crociani, Gligorov, Henderson, Komen, Kozaris, Lanzini, Lloyd, Levita, Mazzitelli, Pivi, Provatas, Sher, T20, Tegala, Tesi, Toshiya, Vedova Mazzei, Vorpsi, Yass, June Trailers, 1996, 60′; Venerdì 14/11, Materia Prima: Dimitris Kozaris, Meraviglie d’Italia, 1993, 8′, Orazio Foti-Filippo La Vaccara, Oggi Sposi, 1995, 7′, Dario Bellini, Set, 1993, 5′; Brigata Es, Es+ Città+Vesuvio, 1995, 12′, Maurizio Donzelli, Il più bello era legato, 1995, 15; Meri Gorni, Nadym, 1996, 2′, Interzone: Galluzzi,Livera, Prova-Nadym, 1996, 2′; Giovanni Surace, Benutzen, 1997, 5′, Vaglieri-Voltolina, Insieme fate cose pericolose, 1995, 5′, Vedova Mazzei, Annunciazione, 1994, 3′; Robert Smithson, Spiral Jetty, 1970, 35′, Bert Theis, O Potemkin Lock, 2’30”, Il terzo giorno, 3’45”, Marossi-Biagini, Shakesbear, 1997, 8′, Bondage, Roberto Cascone, Blitz-Invito alla XII Quadriennale, 1996, 8. 1998 AAVV È una modesta proposta, rassegna di arte in video. 200 produzioni dall’Italia e dintorni, Sala Espositiva di via Malpaga, Trento, 31/10-04/11.

4. Contemporary music concerts and seminars

1995 Meeting with Giancarlo Schiaffini, trombonist, Improvisation First, Trento; Concerto Grosso Città Sonore 1: meeting with Marcello Fera, Lorenzo Frizzera, Klaus Janek, Carlo La Manna, Evelina Tigliz, Stefano Raffaelli, R.S.U., Teatro Zandonai, Rovereto; Concerto Grosso Città Sonore 2: meeting with Massimo Biasioni and Maurizio Dini Ciacci, Marcello Fera, Mauro Graziani, Luciano Olzer and Evelina Tigliz, Klaus Janek, Auditorium, Centro S. Chiara, Trento; Meeting with Klaus Janek, double bass, Improvisation First, Trento; Meeting with Borah Bergman, piano solo, Klaus Janek, double bass, Auditorium, Centro S. Chiara, Trento; Meeting with Marcello Fera, violin, Improvisation First, Trento; 1995, Ondine. Ways of Being of Sound, curated by Fonema Cultural Association of Pergine, I Passanti Cultural Association of Trento, Numero Civico Cultural Association of Rovereto, ACD Contemporary Art Documents, Rovereto TN. 1996 Saturday 10 February, “Research and Musical Production at the C.S.C. of the University of Padua”, meeting and seminar with Alvise Vidolin, professor of electronic music, MART, Archivio del ‘900, Rovereto; Saturday 10 February, Meeting with Roberto Doati, composer, “Acoustic Dimension-Electronic Dimension: Instrumental Sound and Its Processing”, Contemporary Music 1900-2000; concert, sound direction Alvise Vidolin, flutes Roberto Fabbriciani, pieces by Bruno Maderna, Music in Two Dimensions, 1957, for flute and magnetic tape, Roberto Doati, Woman Covering Her Ears to Protect Herself from the Noise of Sound, 1992, for flute sounds and synthetic sounds, Niccolò Castiglioni, Musica Vneukokvhaja, 1981, for piccolo, Salvatore Sciarrino, How Are Spells Produced?, 1985, for flute, Luigi Nono, Das atmende Klarsein, fragment, 1981-87, for bass flute and live electronics, Auditorium Zandonai, Rovereto; June 6, 7, 8, Meeting with Mauro Graziani (Italy), composer, seminar: music and the internet, Aula Magna, Museo Tridentino Scienze Naturali, Trento; June 11, Meeting with Virgile Abela, (F), composer, Marseille, F, performance, Galleria Improvvisazione Prima, Trento; June 19, Meeting with Serena Tamburini (Italy), composer and teacher, Electronic Music Course, Conservatory “P. da Palestrina”, Cagliari, sound installation: Viaggi e paesaggi (Travels and landscapes) (1989), for narrator and magnetic tape, 20′, Giardini Milano, Rovereto TN; June 19, Meeting with Serena Tamburini, concert and debate: Ombra (1991), for Bb clarinet and magnetic tape, 12′ 8”, Auditorium “R. Zandonai”, Rovereto TN; Sunday 27 October, Meeting with Jon Rose, violinist (AUS) Frank Schulte, D.J. (D) ***, Techno with sounds, D.j outsider(I), rave, video art, body-painting, book-musicshop, Discoteca Sottosopra, Rovereto; Wednesday 30 October, Meeting with Massimo Sebastiani, researcher (I), Fractal models for musical composition, meeting, Auditorium “R. Zandonai”, Rovereto; Thursday 31 October, Meeting with Marcello Barberi, flutist (I), Marco Bruschetti, Clarinettist (I), A midsummer night’s moonshine by Renato Chiesa (I), for flute and clarinet (Homage to Zandonai), Mei by Kazuo Fukushima (J) for flute and bass clarinet, Storia by Michele Peguri (I) for flute and bass clarinet, Sequenza by Luciano Berio (I) for clarinet solo, Litigi by Renato Dionisi (I) for flute and clarinet *, and after … the Light by Stefano Lazzoni (I) for bass flute, Acanthis by Francesco Schweizer (I) for piccolo and clarinet, Duo by Enrico Miaroma (I) for flute and clarinet *, Incantation-Aux funérailles du chef pour obtenir la protection de son âmedi André Jolivet (F) for flute solo, Choros n° 2 by Hector Villa-Lobos (BR) for flute and clarinet, Composers M. Peguri, F. Schweizer, E. Miaroma, S. Lazzoni, R. Chiesa present in the hall, Galleria Improvvisazione Prima and Spazio Nô, Trento. 1997 Tuesday 6 May, Auditorium “R. Zandonai”, Rovereto, Ondine 97. Music in World Premiere, Renato Chiesa Schlof mayn yingele, for flute in G, two violins, guitar, cello, Silvia Bianchera … Poi stava la voce …, for flute, guitar, cello, Francesco Schweizer Zapping! for narrator, flute in G, guitar, texts G. Sartori, Michele Peguri For Béla for two violins, Renato Dionisi Melismi, for guitar, flute, clarinet, viola, cello, Riccardo Giavina Phorminx, for voice, flute, guitar, Roberto Di Marino Suite II, Tango, Milonga, Tanguillo, for flute and guitar, Stefano Masera Density for flute, clarinet, two violins, viola, guitar, cello, Performers: Emanuela Rota mezzo-soprano, Maria Bruna Fait narrator, Marcello Barberi flute, Marco Bruschetti clarinet, Alberto Giordan violin, Cecilia Giordan violin, Luigi Azzolini viola, Elena Dardo cello, Stefano Masera guitar; Friday, May 9, Locos Bar, Rovereto, Silvano Brugnara, Christian Tomasi Trento, Tracer. Acoustic-Visual Radioisotope, Homage to New Electronic Music, Music, Video Projections, and Installations; Friday, May 9, Tridentine Diocesan Museum, Palazzo Pretorio, Trento, Ondine 97. World Premiere Performance (repeat); Tuesday, May 17, 6:30 PM, Falk 44, Sesto San Giovanni, MI, Vecchio Oceano, Evelina Tigliz, by and with Francesca Cristellotti and Giuseppe Saiani, Rovereto, Event curated by Wurmkos. Participation; Contemporary Music, Stefano Bertagnolli piano, Marcello Barberi flutes, Variabili for duo and solo, Saturday, November 15, Claude Bolling, France, Suite, 1973, Renato Dionisi, Italy, Jeux de Vin (water pas), 1990, 1st edition. naz., Fiorenzo Brigadoi, Italy, Musical Moment, 1982, Giuseppe Catania, Italy, QUAdro, Ferenc Farkas, Hungary, Meditation, 1990, André Jolivet, France, Incantation, so that the child who will be born is a son, 1938-39, flute solo, Olivier Messiaen, France, The Blackbird, 1952, Francesco Schweizer, Italy, And You Get Lost Away, 1995, flute in G solo, Philharmonic Hall, Rovereto; Sound and Visual Event Evelina Tigliz-Giuseppe Saiani, Old Ocean for voice and sampler, Tuesday 9 December, Molto, Milan, speech by Maria Salvati. 1988 NON, Nino Caltabiano, Giuseppe Saiani-Evelina Tigliz, Christian Tomasi, & Silvano Brugnara, Malpaga Exhibition Hall, Trento, Friday 16 and Saturday 17 January; Ondine 98, review of contemporary instrumental and electronic music, Rovereto Trento: “Instrumental Music Concert” Fiorenzo Brigadoi Quaterna (prelude ricercare arietta burlesca) for flute, two violins and cello, Riccardo Giavina Three pieces in ancient style (Sicilian minuet and rustic dance) for flute and guitar, Szilárd Mezei String Trio for violin, viola and cello, Giacomo Cavo Variations on a theme by Stravinsky for piano solo, Francesco Schweizer Trio for flute, clarinet and piano, Giuseppe Catania Sortie for flute, guitar and cello, Paolo Rimoldi Die Welt wird Traum II, for string quartet, Performers: Marcello Barberi flute, Fabrizio Zeni clarinet, Stefano Masera guitar, Massimo Martini violin, Stefano Biguzzi violin, Veronica D’Amore viola, Leonardo Sapere cello, Stefano Bertagnolli piano, Francesco Schweizer piano solo, Saturday 10 October at 9pm; “Electronic Music and Video Concert” Serena Tamburini Lesson one for tape solo, stereo, 6′ 30”, 1997, Metaxu (Martusciello-Paolini) Il Vigilambulo for tape solo, radio drama, 10′ 14”, Maurizio Martusciello Non Dice acousmatic composition, 7′ 40”, Mauro Graziani piece for tape and video projection, Giovanni Cospito Teogonia ellittica sounds produced and processed by computer and live spatialization, 9′ 30”, 1997, Giovanni Cospito Supra Modum for voice, live electronics, computer sounds and live spatialization, text and voice by Andrea Inglese, 14′ 40”, 1998, Wednesday 14 October at 9 pm; “Instrumental Music Concert” Maura Capuzzo Rilla for clarinet, horn, violin, cello and piano, Gianni Giacomazzo Metropolitan Chaos for string quartet, Renato Dionisi O pearl of every land… for flute and voice, Giovanni Grosskopf Six movements for flute, clarinet, violin, cello, and piano, Renato Chiesa Iom ha-shishì for flute, clarinet, voice, viola, cello, and piano, performers: Emanuela Rota, voice, Marcello Barberi, flute, Fabrizio Zeni, clarinet, Roberto Micheli, horn, Massimo Martini, violin, Marta Cosaro, violin, Veronica D’Amore, viola, Leonardo Sapere, cello, Stefano Bertagnolli, piano. Conducted by Stefano Masera, Saturday, October 17, 9 p.m.; “Concert for Solo Instrument and Electronics” by Claudio Lugo Poems of Water (and Air) saxophone readings, texts by Aldo Palazzeschi, Biagio Marin, Delio Tessa, Hans Magnus Enzensberger, Sandro Penna, for saxophone, performer’s voice, microphones, and sound procession, 35′, 1998, Giancarlo Schiaffini Tubalibre, for tuba and live electronics, 30′, 1998, Monday 19 October at 9 pm; “Concert for Electronic Music Images and Dance”, Leonello Tarabella – Massimo Magrini Sabbia for twinTowers and live electronics, 12′, 1998, Riccardo Dapelo (dis)Continuum for two dancers, audio computing, image computing, 8′, 1998, with Giovanni Di Cicco and Piera Pavanello, Compagnia Arbalete Genova, choreography by Giovanni Di Cicco, video programming Antonio Camurri, concept, music, audio computing Riccardo Dapelo, Michele Brugnaro Migrazioni for tape, 10′, 1988, DAT, stereophonic or quadraphonic spatialization, Pietro Polotti A-Tom for tape, 16’40”, 1998, Wednesday 21 October 9:00 PM 1999 Ondine Musica, First Performance, Trento and Rovereto, Part One: June 11, Sec./Sec Life between the century and the second. Exercise, sound installation, and video by: Mubi – Elocon – Alma’Soul, Trento – Lavis, Fabrika Temporary Art Space, Rovereto TN; June 14, Shanghai Chambre, with Chiyoko Miura – DJ ET ZUT, Milan-Japan, Fabrika Temporary Art Space, Rovereto TN. Campo di Magnetismo Terrestre, con Aviaja Larsen – King Tongue, Groenlandia – Milano, Fabrika Spazio Temporaneo d’Arte, Rovereto TN; 31 luglio, Santini, Sant’Anna del Bondone (TN). 1995 Incontro con Giancarlo Schiaffini, trombonista, Improvvisazione Prima, Trento; Concerto Grosso Città Sonore 1: incontro con Marcello Fera, Lorenzo Frizzera, Klaus Janek, Carlo La Manna, Evelina Tigliz, Stefano Raffaelli, R.S.U., Teatro Zandonai, Rovereto; Concerto Grosso Città Sonore 2: incontro con Massimo Biasioni e Maurizio Dini Ciacci, Marcello Fera, Mauro Graziani, Luciano Olzer e Evelina Tigliz, Klaus Janek, Auditorium, Centro S. Chiara, Trento; Incontro con Klaus Janek, contrabbasso, Improvvisazione Prima, Trento; Incontro con Borah Bergman, solo piano, Klaus Janek, contrabbasso, Auditorium, Centro S. Chiara, Trento; Incontro con Marcello Fera, violino, Improvvisazione Prima, Trento; 1995, Ondine. Modi d’essere del suono, a cura di Fonema Associazione Culturale di Pergine, I Passanti Associazione Culturale di Trento, Numero Civico Associazione Culturale di Rovereto, ACD Arte Contemporanea Documenti, Rovereto TN. 1996 Sabato 10 Febbraio, “Ricerca e produzione musicale al C.S.C. dell’Università di Padova”, incontro e seminario con Alvise Vidolin, docente di musica elettronica, MART, Archivio del ‘900, Rovereto; Sabato 10 Febbraio, Incontro con Roberto Doati, compositore, “Dimensione Acustica-Dimensione Elettronica: il suono strumentale e la sua elaborazione”, Musica Contemporanea 1900-2000; concerto, regia del suono Alvise Vidolin, flauti Roberto Fabbriciani, brani di Bruno Maderna, Musica su due dimensioni, 1957, per flauto e nastro magnetico, Roberto Doati, Donna che si copre le orecchie per proteggersi dal rumore del suono, 1992, per suoni di flauto e suoni sintetici, Niccolò Castiglioni, Musica Vneukokvhaja, 1981, per ottavino, Salvatore Sciarrino, Come vengono prodotti gli incantesimi?, 1985, per flauto, Luigi Nono, Das atmende Klarsein, fragment, 1981-87, per flauto basso e live electronics, Auditorium Zandonai, Rovereto; 6, 7, 8 giugno, Incontro con Mauro Graziani (Italia), compositore, seminario: musica e internet, Aula Magna, Museo Tridentino Scienze Naturali, Trento; 11 giugno, Incontro con Virgile Abela, (F), compositore, compositore, Marsiglia, F, performance, Galleria Improvvisazione Prima, Trento; 19 giugno, Incontro con Serena Tamburini (Italia), compositrice e docente Corso Musica Elettronica Conservatorio “P. da Palestrina”, Cagliari, installazione sonora: Viaggi e paesaggi (1989), per voce recitante e nastro magnetico, 20′, Giardini Milano, Rovereto TN; 19 giugno, Incontro con Serena Tamburini, concerto e dibattito: Ombra (1991), per clarinetto in Sib e nastro magnetico, 12′ 8”, Auditorium “R. Zandonai”, Rovereto TN; Domenica 27 ottobre, Incontro con Jon Rose, violinista (AUS) Frank Schulte, D.J. (D) ***, Techno mit Störungen, D.j outsider(I), rave, videoarte, body-painting, book-musicshop, Discoteca Sottosopra, Rovereto; Mercoledì 30 ottobre, Incontro con Massimo Sebastiani, ricercatore (I), Modelli frattali per la composizione musicale, incontro, Auditorium “R. Zandonai”, Rovereto; Giovedì 31 ottobre, Incontro con Marcello Barberi, flautista (I), Marco Bruschetti, Clarinettista (I), A midsummer night’ s moonshine di Renato Chiesa (I), per flauto e clarinetto (Homage to Zandonai), Mei di Kazuo Fukushima (J) per flauto e clarinetto basso, Storia di Michele Peguri (I) per flauto e clarinetto basso, Sequenza di Luciano Berio (I) per clarinetto solo, Litigi di Renato Dionisi (I) per flauto e clarinetto *, e dopo … la Luce di Stefano Lazzoni (I) per flauto basso, Acanthis di Francesco Schweizer (I)per ottavino e clarinetto, Duo di Enrico Miaroma (I) per flauto e clarinetto *, Incantation-Aux funérailles du chef pour obtenir la protection de son âmedi André Jolivet (F) per flauto solo, Choros n° 2 di Hector Villa-Lobos (BR) per flauto e clarinetto, Presenti in sala i compositori M. Peguri, F. Schweizer, E. Miaroma, S. Lazzoni, R. Chiesa, Galleria Improvvisazione Prima e Spazio Nô, Trento. 1997 Martedì 6 maggio, Auditorium “R. Zandonai”, Rovereto, Ondine 97. Musiche in Prima Esecuzione Assoluta, Renato Chiesa Schlof mayn yingele, per flauto in sol, due violini, chitarra, violoncello, Silvia Bianchera … Poi rimase la voce …, per flauto, chitarra, violoncello, Francesco Schweizer Zapping! per voce recitante, flauto in sol, chitarra, testi G. Sartori, Michele Peguri For Béla per due violini, Renato Dionisi Melismi, per chitarra, flauto, clarinetto, viola, violoncello, Riccardo Giavina Phorminx, per voce, flauto, chitarra, Roberto Di Marino Suite II, Tango, Milonga, Tanguillo, per flauto e chitarra, Stefano Masera Density per flauto, clarinetto, due violini, viola, chitarra, violoncello, Interpreti: Emanuela Rota mezzosoprano, Maria Bruna Fait voce recitante, Marcello Barberi flauto, Marco Bruschetti clarinetto, Alberto Giordan violino, Cecilia Giordan violino, Luigi Azzolini viola, Elena Dardo violoncello, Stefano Masera chitarra; Venerdì 9 maggio, Locos Bar, Rovereto, Silvano Brugnara, Christian Tomasi Trento, Tracer. Radioisotopo acustico visivo, Omaggio alla nuova musica elettronica, Musiche, proiezioni video e installazioni; Venerdì 9 maggio, Museo Diocesano Tridentino, Palazzo Pretorio, Trento, Ondine 97. Musiche in Prima Esecuzione Assoluta (replica); Martedì 17 ore 18.30, Falk 44, Sesto San Giovanni, MI, Vecchio Oceano, Evelina Tigliz, di e con Francesca Cristellotti e Giuseppe Saiani, Rovereto, Evento a cura di Wurmkos. Partecipazione; Musica Contemporanea, Stefano Bertagnolli pianoforte, Marcello Barberi flauti, Variabili per duo e solo, Sabato 15/11, Claude Bolling, Francia, Suite, 1973, Renato Dionisi, Italia, Jeux de Vin (pas d’eau),1990, 1a es. naz., Fiorenzo Brigadoi, Italia, Momento musicale, 1982, Giuseppe Catania, Italia, QUAdro, Ferenc Farkas, Ungheria, Meditazione, 1990, André Jolivet, Francia, Incantation, pour que l’enfant qui, va naitre soit un fils, 1938-39, flauto solo, Olivier Messiaen, Francia, Le merle noir, 1952, Francesco Schweizer, Italia, E ti perdi lontano, 1995 flauto in sol solo, Sala Filarmonica, Rovereto; Evento Sonoro e visivo Evelina Tigliz-Giuseppe Saiani, Vecchio Oceano per voce e campionatore, Martedì 9 dicembre, Molto, Milano, intervento di Maria Salvati. 1988 NON, Nino Caltabiano, Giuseppe Saiani-Evelina Tigliz, Christian Tomasi, & Silvano Brugnara, Sala Espositiva Malpaga, Trento, Venerdì 16 e Sabato 17 gennaio; Ondine 98, rassegna di musica contemporanea strumentale ed elettronica, Rovereto Trento: “Concerto di Musica Strumentale” Fiorenzo Brigadoi Quaterna (preludio ricercare arietta burlesca) per flauto due violini e violoncello, Riccardo Giavina Tre pezzi in stile antico (siciliana minuetto e danza rustica) per flauto e chitarra, Szilárd Mezei String Trio per violino viola e violoncello, Giacomo Cavo Variazioni su un tema di Stravinsky per pianoforte solo, Francesco Schweizer Trio per flauto clarinetto e pianoforte, Giuseppe Catania Sortie per flauto chitarra e violoncello, Paolo Rimoldi Die Welt wird Traum II, per quartetto d’archi, Interpreti: Marcello Barberi flauto, Fabrizio Zeni clarinetto, Stefano Masera chitarra, Massimo Martini violino, Stefano Biguzzi violino, Veronica D’Amore viola, Leonardo Sapere violoncello, Stefano Bertagnolli pianoforte, Francesco Schweizer pianoforte solo, Sabato 10 ottobre ore 21; “Concerto di Musica Elettronica e Video” Serena Tamburini Lesson one per nastro solo, stereo, 6′ 30”, 1997, Metaxu (Martusciello-Paolini) Il Vigilambulo per nastro solo, radiodramma, 10′ 14”, Maurizio Martusciello Non Dice composizione acusmatica, 7′ 40”, Mauro Graziani brano per nastro e videoproiezione, Giovanni Cospito Teogonia ellittica suoni prodotti ed elaborati al computer e spazializzazione live, 9′ 30”, 1997, Giovanni Cospito Supra Modum per voce, live electronics, suoni da computer e spazializzazione live, testi e voce di Andrea Inglese, 14′ 40”, 1998, Mercoledì 14 ottobre ore 21; “Concerto di Musica Strumentale” Maura Capuzzo Rilla per clarinetto corno violino violoncello e pianoforte, Gianni Giacomazzo Caos metropolitano per quartetto d’archi, Renato Dionisi O perla d’ogni terra… per flauto e voce, Giovanni Grosskopf Sei movimenti per flauto clarinetto violino violoncello e pianoforte, Renato Chiesa Iom ha-shishì per flauto clarinetto voce, viola, violoncello e pianoforte, interpreti: Emanuela Rota voce, Marcello Barberi flauto, Fabrizio Zeni clarinetto, Roberto Micheli corno, Massimo Martini violino, Marta Cosaro violino, Veronica D’Amore viola, Leonardo Sapere violoncello, Stefano Bertagnolli pianoforte. Dirige Stefano Masera, Sabato 17 ottobre ore 21; “Concerto per Strumento Solo ed elettronica” Claudio Lugo Poesie d’acqua (e d’aria) letture al saxofono testi di Aldo Palazzeschi, Biagio Marin, Delio Tessa, Hans Magnus Enzensberger Sandro Penna, per saxofono, voce dell’esecutore, microfonia e processione di suono, 35′, 1998, Giancarlo Schiaffini Tubalibre, per tuba e live electronics, 30′, 1998, Lunedì 19 ottobre ore 21; “Concerto per Musica Elettronica Immagini e Danza”, Leonello Tarabella – Massimo Magrini Sabbia per twinTowers e live electronics, 12′, 1998, Riccardo Dapelo (dis)Continuum per due danzatori, audio computing, image computing, 8′, 1998, con Giovanni Di Cicco e Piera Pavanello, Compagnia Arbalete Genova, coreografia di Giovanni Di Cicco, programmazione video Antonio Camurri, ideazione, musica, audio computing Riccardo Dapelo, Michele Brugnaro Migrazioni per nastro, 10′, 1988, DAT, spazializzazione stereofonica o quadrifonica, Pietro Polotti A-Tom per nastro, 16’40”, 1998, Mercoledì 21 ottobre ore 21. 1999 Ondine Musica in Prima Esecuzione, Trento e Rovereto, prima parte: 11 giugno, Sec./Sec La vita tra il secolo e il secondo. Esercizio, installazione sonora e video di: Mubi – Elocon – Alma’Soul, Trento – Lavis, Fabrika spazio Temporaneo d’Arte, Rovereto TN; 14 giugno, Shanghai Chambre, con Chiyoko Miura – DJ ET ZUT, Milano-Giappone, Fabrika spazio Temporaneo d’Arte, Rovereto TN; Campo di magnetismo terrestre, con Aviaja Larsen – King Tongue, Groenlandia – Milano, Fabrika spazio Temporaneo d’Arte, Rovereto TN; 31 luglio, Santini, Sant’Anna del Bondone (TN).

5. Meetings with writers

1995 Meeting with Filippo La Porta, writer, Palazzo Todeschi, Rovereto; Tuesday 31 October, Meeting with Marco Belpoliti, writer, Elio Grazioli, contemporary art critic, Dario Bellini, visual artist, presentation of “Riga Italia”, Archivio del ‘900 M.A.R.T. Rovereto TN. 1996 Friday 26 January, Meeting with Itamar Levy, Israeli writer and narrator, Introduced by: Giacomo Anderle, actor, Elena Marino, theatre director, presentation of the book: Letters of the sun, letters of the moon, MART, Archivio del ‘900, Rovereto; June 4, Meeting with Alessandro Carrera (Italy), writer and narrator, professor at the New York University Department of Italian, on “The tower and the plain”, meeting-reading debate, Room 5, Faculty of Letters, Trento; June 14, Meeting with Fulvio Panzeri (Italy), poet and literary critic, Fiction and Painting. For a New Figuration of Heaven and Earth, meeting and debate, introduced by Alessandro Tamburini (Italy), writer and essayist, Palazzo Todeschi, Rovereto TN; Monday, October 28, Meeting with Daniele Del Giudice, writer (I), Meeting and debate, Palazzo Todeschi, Rovereto; Friday, November 15, Meeting with Giacomo Sartori, writer (I), He Usually Calls Me the Day Before, presentation of the book published by Il Saggiatore, Contributions by Paolo Malvinni, writer (I) and Alessandro Tamburini, writer (I), readings by Giacomo Anderle, actor (I), Cooperativa Libraria, Rovereto; 1997 Friday, April 18, Polifunzionale, Trento, Enrico Palandri writer, Savona-London (I-GB), presentation of the book The Guilty Ambiguities by Herbert Markus, Introduction by Alessandro Tamburini writer, Trento I, Readings by Giacomo Anderle Trento I; Saturday, April 19, Cooperativa Libraria, Rovereto, Alessandro Tamburini writer, Enrico Palandri writer, presentation of the books The Honour of Arms, The Guilty Ambiguities by Herbert Markus, Introduction by Stefano Giovanazzi.

6. Festivals and reviews

1995 Untitled Events Actions Exhibitions Cities between Permanence and Impermanence, various locations in Rovereto and Trento, June 1-30: Short Exhibitions and other events; Riga per Riga, periodic meetings with authors, curated by Drake Trento, I Passanti Trento, Numero Civico Rovereto, MART Museum of Modern and Contemporary Art, Rovereto, TN. 1996 Untitled Events Actions Exhibitions. Earth and Sky, various locations in Rovereto and Trento, May, June, July, August; Untitled Events Actions Exhibitions. Earth and Sky, various locations in Rovereto and Trento, September, October, November; Untitled Events Actions Exhibitions. Interactions for Europe, Earth and Sky, various locations in Rovereto and Trento, December. 1997 Untitled Events Actions Exhibitions. Earth and Sky, various locations in Rovereto and Trento, May-June and September-December; (The) Body (h)a Body. Bodies in Space-Seated Bodies, events 4-11-18-25 June, Palazzo delle Albere, Trento, Municipality of Trento-Open Space for Young People, MART. 1998 Untitled Events Actions Exhibitions, Rovereto-Trento, January-December. 1999 Untitled Events Actions Exhibitions, Rovereto-Trento, January-December.

7. Meetings dedicated to scientific research

1995: “The Procedures of Mathematical Research,” a meeting with Gabriele Anzellotti, Mario Miranda, and Alberto Tognoli, Palazzo Geremia, Trento; Meeting with Benoit Mandelbrot, Aula Grande I.T.C., Trento; Meeting with Piero Pagliani, logician, Plastic Rock, Rovereto. 1996: June 5, Meeting with Marcello Cini (Italy), mathematical epistemologist, “From the Universe of Natural Laws to the World of Evolutionary Processes,” a discussion, Conference Room, IRST Institute for Scientific and Technological Research, Panté di Povo, Trento; June 12, Meeting with Paolo Farinella (Italy), planetary astronomer, professor at the University of Pisa, debate meeting: Cosmic Impacts: a danger for the Earth?, introduced by: Mirco Elena (Italy), physicist and researcher at the Center for Materials and Medical Biophysics, Trentino Institute of Culture, Povo TN, Auditorium “R. Zandonai”, Rovereto TN.

8. Events dedicated to dance

1995 Meeting with Tullia Pedrotti, dance solo, Plastic Rock Gym, Rovereto; Friday 27 October, Meeting with Valentina Valentini, art and theatre critic, Archivio del ‘900 M.A.R.T. Rovereto TN. 1996 Friday 26 January, “The current situation of culture in Israel. Peace seen by a writer”, meeting-debate, introduced by: Giacomo Anderle and Elena Marino, video screening: Israeli dance-theatre groups, Multipurpose Hall of the University, Trento; June 28, Meeting with Jure Lukascic (Slovenia), dancer, Stefano Cagol (Italy), artist, contemporary dance performance and video screening, (Palestra) Plastic Rock, Rovereto TN; June 28, Video Dance from the Oriente Occidente Archive, video documents on: Mary Wigman, Lucinda Childs, Johann Kresnik, Pina Bausch, Kathakali, Jure Lukascic and Stefano Cagol, presence in the room of Jure Lukascic and Stefano Cagol, Auditorium “R. Zandonai”, Rovereto TN; Sunday 29 September, Meeting with Maria Tullia Pedrotti and Roberto Lun, dancers (I), Comunque passa *, video chiaroscuro by Stefano Cagol, artist (I), Fabrika, Temporary Art Space, Rovereto and Spazio Nô. 1997 Kinkaleri, Doom Contemporary Dance, Sunday 26/10, Fabrika Temporary Art Space, Rovereto TN. 1998 Compagnia LAM Limb, world premiere, Fabrika Temporary Art Space Rovereto TN.

9. Events dedicated to the theatre

1996 Saturday, January 27, “From Images to Words, from Novel to Play,” a meeting-debate, introduced by: Giacomo Anderle and Elena Marino, multimedia presentation: “Letter to the Ambassadors in the Royal Palace of Madrid” based on a story by Itamar Levy, video screening: Israeli dance-theater groups, University Multipurpose Hall, Trento; Saturday, January 27, “The Slow Dance of Dreams,” a theatrical performance presented by Finisterrae Teatri, with Giacomo Anderle and Alessio Kogoj, directed by Elena Marino, Teatro Sperimentale, Centro S. Chiara, Trento; Sunday, January 28, Meeting with Julia Varley, actress from Odin Teatret-Denmarca, demonstration of Work-Performance: “The Echo of Silence,” on the Actor’s Voice, by and with Julia Varley, Part I, University Multipurpose Hall, Trento; Sunday, January 28, Demonstration of Work-Performance: “The Dead Brother,” on the work of the actor and the director, with Julia Varley, Part II, Teatro Sperimentale, Centro S. Chiara, Trento; Sunday, January 28, “The Slow Dance of Dreams,” a theatrical performance presented by Finisterrae Teatri, with Giacomo Anderle and Alessio Kogoj, directed by Elena Marino, Teatro Sperimentale, Centro Santa Chiara, Trento. 1997 Motus, Tar, Contemporary Theatre, Friday, October 24, Sala Filarmonica, Rovereto; Teatrino Clandestino, The Magical Idealist Contemporary Theatre, Saturday, October 25, Fabrika Temporary Art Space, Rovereto. 1998 Rossotiziano Silent Harp. Melopea for Pino Pascali, by Francesco Saponaro, with Antonio Marfella and Massimo Zordan.

10. Events dedicated to Semiotics

1995 Meeting with Luis J. Prieto, semiologist, Bruno Sanguanini, sociologist, Renato Troncon, philosopher, Room 2, Centro S. Chiara, Trento. 1996 July 3, Meeting with Luciano Nanni (Italy), semiologist, professor at DAMS, Bologna, debate meeting: The Work of Art: From the Sign to the Cosmos tout court, Room 5, Faculty of Arts, Trento. 1998 AAVV A Discourse on Art, Semiotics of the Arts in Discussion, Trento, Exhibition Hall, Via Malpaga, 2-4/11.

11. Participation in events

1996 Presentation of What We Try to Make Visible, working group with Francesco Dal Bosco, Stefano Giovanazzi, Luca Quartana, Evelina Tigliz, Pecci Museum, Prato. 1997 Presentation of Bill Viola’s Video Works, ArtForum Gallery, Merano, BZ, February; Presentation of the Bill Viola video exhibition, Bevilacqua La Masa Foundation Gallery, Venice, March 1; Presentation of Bill Viola’s Dreams, Interzona, Verona, April; Saturday 29th – Sunday 30th June, Galleria Continua-Ex Teatro, San Gimignano, Il Punto, Second Edition, Speakers: Dario Bellini artist, Marco Belpoliti writer, Riccardo Caldura art critic, Emanuela De Cecco art critic, Michele De Mieri director, Michela Eremita art critic, Stefano Giovanazzi, critic and curator, Luigi Grazioli, writer, Mario Perniola, philosopher, Massimo Raffaelli, poet, Pierluigi Tazzi, art critic., Artists: Aurelio Andrighetto, Stefano Arienti, Massimo Bartolini, Mariella Bettineschi Vincenzo Cabiati, Antonio Catelani, Loris Cecchini, Marco Cingolani, Gianluca Codeghini, Cinzia Cozzi, Giancarlo dell’Antonia, Federico De Leonardis, Gabriele Di Matteo, Stefano Dugnani, Giovanni Ercoli, Andrea Ferrari, Lorenzo Fontanelli, Giuliano Guatta, Armin Linke, Mauro Manetti, Amedeo Martegani, Maurizio Mercuri, Davide Nido, Pierpaolo Pagano, Luca Pancrazi, Marco Papa, Gloria Pastore, Marco Paternostro, Michelangelo Penso, Andrea Rabbiosi, Adelmo Ruggeri, Manuela Sedmach, Serse, Alberto Terrile, Grazia Toderi, Luana Trapé, Massimo Uberti, Vedova-Mazzei, Cesare VIel, event curated by Galleria Continua; Collaboration in the production of the catalog Trash. When Waste Becomes Art, exhibition catalog, Milano Electa, edited by MART of Trento and Rovereto. 1999 Eva Marisaldi, CD, Galleria Massimo Minini, Brescia.

12. Video Productions

1995-2000 Video production of documentation for the Trento and Rovereto Festival Senzatitolo Eventi Azioni Esposizioni. 1998 Vedova Mazzei A Modest Proposal, video installation, 2 videos, 23’44”, 4’17”, betacam, Rovereto-Milan, Production Numero Civico – Studio Film Arcobaleno. Francesco Voltolina Inaction Holds Back Projects, S-VHS, 1 video, 3’, Rovereto – Milan, production and distribution Numero Civico. Luca Pancrazzi Polvere & Polvere, 2 videos, 180’, 4’, S-VHS, Rovereto-Milan, production and distribution Numero Civico. Werner Gasser Laundry Day – Annäherung – Stracci, Betacam–S-VHS, Merano-Rovereto, production and distribution Numero Civico Rovereto. Francesco Dal Bosco, Fantasma, video installation, 59′, DVCam, Trento-Rovereto, produced and distributed by Numero Civico. Andrea Crociani, Video, Rovereto-Lugano, produced and distributed by Numero Civico Rovereto. AAVV Dimensione, multimedia event documentation, produced by Kammerweb-Numero Civico, Milan Fabbrica Eos; 1999 Distanze/Esperimenti sul vuoto, Teatrincorso, Trento, produced by Numero Civico Rovereto; Volano, video document and installation created for the inauguration of the new town hall of Volano; 2000 Blood on the Fields, video created in collaboration with the Municipality and the Villa Lagarina Middle School.

13. Exhibition Projects

Count Down, during the days of contemporary art, curated by Numero Civico, I Passanti and Corre Voce, Trento-Rovereto-Feltre, participants Mario Airò, Francesco Arena, Massimo Bartolini, Betty Bee, Emanuela Celli, Brancusi heirs, Filippo Falaguasta, Elisabeth Hölzl, Dimitris Kozaris, Luisa Lambri, Mala. Visual Arts, Eva Marisaldi, Chiyoko Miura, Luca Pancrazzi, Alberta Pellacani, Luca Quartana, Andrea Rabbiosi, Luca Rento, Alessandra Tesi, Vedova MAZZEI, Ampelio Zappalorto, date to be announced. 2001 “The State of the Art 3: Man, the City and Art”, Trento and Rovereto March-April November-December 2001, third edition of the international study conference promoted by SENZATITOLO Events Actions Exhibitions.

14. Reviews and Interviews

Television: RAI TG 3; Radio: RAI RADIO 3, RAI Isoradio Inforadio, RAI Radio GR Spettacoli, Radio Capital, Italia Radio, Radio Popolare, Radio Studio Sette, Radio Gamma, Radio Antenna Nord; Newspapers: “Il Manifesto”, “Il Resto del Carlino”, “Avvenire”, “Il Giornale”, “La Nazione”, “Il Giorno”, “Il Sole 24 Ore”, “L’Adige”, “Alto Adige”, “Il Mattino dell’Alto Adige”; Magazines: “Film TV”, “Questo Trentino”, “Vita Trentina”, “Flash Comunicare”, “Studying in Trento”, “Trenino Mese”, “Entropia”; Art Magazines: “Flash Art” Milan, “Juliet” Trieste, “Next” Rome, “Art Show” Milan, etc.

15. Other participations

2000 Out of joint, drum’n’bass techno video art, Sant’Anna-Sopramonte, Trento, in collaborazione con RAM e I Passanti Trento, 15/07/00. “2000EVENTI STRADE, Rovereto 25-27 agosto 2000, centro storico di Rovereto, a cura del Coordinamento Enti ed Associazioni Culturali nella Provincia Autonoma di Trento: 1. Solo, performance alla batteria di Tony Rusconi ,2. Una fragile struttura di suono che/per/cor/Re lo spazio, recital sonoro di e con Federica Marzili, 3. Trittico, installazione di Tiziano Gazzini, 4. Da una strada a una scala a un appartamento a una stanza a una sedia, manifesto di Luca Coser, 5. Testé, installazione di Elena Boccini, 6. Agni, tessuti di Sara Chiarugi, 7. Necrormone, sculture di Davide De Paoli, 8. Salvanel, installazione di Osvaldo Maffei, 9. Pupper, sculture di Maria Salvati; Partecipazione al Seminario Multimediale, organizzato dal CIRM di Genova presso il Teatro Carlo Felice.